It’s not that Frances Merrill never met a blush or arrangement she didn’t like. Not at all. “It aloof has to be the appropriate color, the appropriate pattern,” says the berserk artistic architect of the Los Angeles–based close Reath Design. A case in point is the archetypal midcentury home Merrill afresh reinvented for Katie Jordan, a cofounder of the youth-aid alignment Foster a Dream, in the L.A. suburb of Altadena. To say that the home is activated by a anarchism of irised wallpapers, fabrics, and paints would be misleading. Despite the capricious arrangement of ablaze hues and absurd patterns, the all-embracing aftereffect registers as warm, welcoming, and joyous—there’s annihilation clinking about it.
“I was adored to acquisition a affiliated spirit in Katie. She’s abundantly adventuresome back it comes to blush and pattern, both in the best clothes she loves to abrasion and the affectionate of home she wants to alive in,” Merrill says. “If accessory is crime, Katie is my accomplice,” the artist adds, demography a sly dig at Adolf Loos. Jordan, for her part, allotment the compliment. “Without Frances, I brainstorm my abode would be a collection of a lot of admirable things with no accepted denominator. I get aflame by so abounding altered fabrics and colors, and so does my son, Hank. He absolutely best the acrylic colors in his room. Frances took all of our amorous anarchy and fabricated faculty of it,” the homeowner notes.
Early conversations amid Merrill and her applicant focused on means to abate the close curve and adamantine angles of the absolute architecture. “We talked a lot about feminizing the house. Although I accepted the ample expanses of bottle and the affiliation to nature, I didn’t like how adult it felt. I candidly wasn’t abiding if it was accessible to accomplish it cozy,” Jordan recalls.
Merrill’s acknowledgment was to comedy adjoin type, abnegation the all-too-common actuation to dress a midcentury abode absolutely in aeon appliance and finishes. “When I was a kid, we had a ancestors acquaintance who endemic a Marcel Breuer abode in Princeton that was furnished with Persian rugs and old ancestors heirlooms. There was article acute about the astriction amid the angular architectonics and the acceptable furniture,” Merrill says. “I approved to approach that spirit here. The bassinet we best for the active room, which is covered in a Rose Cumming floral, could calmly assignment in somebody’s grandmother’s house.”
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A bank alive oak shades the pool. Best bamboo armchairs.
Nevertheless, it’s the attenuate granny who would accept to acrylic all the autogenous and exoteric copse beams and columns a adumbration of bittersweet agnate to that of a Japanese maple. Or to cardboard the dining allowance in a strange, consciousness-expanding arrangement of oranges erupting into tiny cityscapes. Or alike to install a bubble blind of eight absent blush panels that visually extends from the adept bedchamber to the lounge off the pool.
In the basin room, a custom blind is composed of different linens. Robert Venturi chair.
What’s best extraordinary, perhaps, is the abyss of the designer’s vision. Merrill’s chart of contentment is not artlessly bedfast to the house’s primary amusing spaces, like the acceptable accessible kitchen, area bright-green cabinetry is alternate with absent floral cutouts and apprehensive Shaker chairs are accidentally adorned in red and atramentous canvas tapes. The joy of blush and arrangement extends into a bath clad in dejected asphalt absolute by cherry-red accessories and a active red-and-blue floral shower-curtain bolt advised by Gert Voorjans for Jim Thompson. (Fun fact: Thompson, the Thai cottony arbiter who abolished mysteriously in Malaysia in 1967, was Merrill’s great-great-uncle.) There’s additionally a bubble affiliation of blithely brave alfresco dining chairs, custom color-blocked cushions for the basin chaises, and a massive azure alfresco daybed set adjoin the ivy-covered hillside that cradles the house.
A best appliqué artwork hangs in the den. Best covering agitation chair.
“There was a skeleton of a abundant midcentury garden that had been bald over the years. Our job was to clean what was there and drag some of the abstracts and details,” says David Godshall, cofounder of the beginning L.A.-and-San Francisco–based landscape-design close Terremoto. That action complex redoing an age-old acrylic fence with panels of choleric bottle and replacing what Godshall describes as “Rice Krispies accurate paving” with period-appropriate exposed-aggregate accurate affected with copse borders. “The behemothic boulders on the armpit were the ablution point for our work. The aboriginal garden fabricated references, both attenuate and overt, to Japanese mural design, and we underscored that affection by accomplishing things like installing pathways of active boulders accumulated with aboveboard and ellipsoidal accurate pavers. Horticulturally, the garden is allotment Japanese, allotment built-in California, and allotment jungle,” Godshall explains.
One of the plantings Godshall chose—a red Abyssinian assistant tree—gives a bright nod to Merrill’s blush best for the architectural framing, which sets the tone, actually and figuratively, for the absolute abode experience. Back asked if she has any admonition for do-it-yourselfers acquisitive to hop aboard the crazy blush wagon, Merrill demurs. “It’s not article you can arrange or teach. It’s intuitive,” she insists, adding, “This isn’t absolutely rocket science, except that it affectionate of is.”
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