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Karnataka Chitrakala Parishath in Bengaluru afresh hosted two exhibitions blue-blooded Saturnalia and Kaleidoscope, as able-bodied as added showcases by Subash Thodayam and Kolkata’s Contemporary Group. We affection highlights from the exhibitions in this two-part photo essay, forth with artisan and babysitter insights.
The Saturnalia exhibition was organised by Wet Palette, a aggregate founded by watercolour artisan Sunil Linus De. It supports accessible artists with acknowledgment to the apple of art through workshops, abstraction tours, and exhibitions.
“Art for me is a way of life. I accept that I’m able to acquaint or accurate account through my paintings. Many a time, it has been a absorption of life; I’m blessed back I’m able to paint,” explains Sunitha Krishna, in an account with YourStory.
She is the architect of the flat Brushes and Palette, and paints in watercolours and oils. “I accept completed a cardinal of oil paintings over the aftermost four years, and awash a few. One went all the way to Tijuana, Mexico,” Sunitha proudly explains.
She has additionally approved her duke at acrylic, pastels and colour pencils. In the accomplished four years, she has taken allotment in four accumulation exhibitions. “I accept been a big accepter in astute art, and accept now confused to added of hyper-realism,” she adds.
Her two paintings at the Saturnalia exhibition were allotment of a alternation alleged Hidden, with the apologue of doors and locks (Unlocking the Minds and Doors to Perception). “For me, the apple is the bigger canvas available,” Sunitha enthuses. Added exhibitions are planned this year, including some ample canvas watercolours.
“I beam attributes and people, how ablaze falls, the bend of shadows, and alike the aboriginal detail. An abstraction is built-in as a aggregate of all these,” she explains. Her affection for blight led her to compose the Hidden series; the works are priced from Rs 5,000 to Rs 10,000.
As trends in the Indian art market, she observes a change from blind bank calendars to paintings in Indian homes. “The adept appetence for paintings has apparent a huge about-face in the aftermost two decades, acknowledgment to bread-and-butter advance and admiration for aesthetic representation in homes,” she explains.
Sunitha defines aesthetic success in assorted ways, from acknowledgment to sales. “For me, success has been back I attending at my own assignment and feel that amends has been done. If one is able to accomplish others see our assignment through our eyes, that’s a success,” she explains.
Sunitha advises audiences to access art with some bulk of patience. “No artwork is similar, and no thoughts are the same. Audiences should attending at the affair or angle of the artisan for bigger appreciation,” she adds.
Now, what accept you done today to abeyance in your active agenda and approach your artistic ancillary to new paths?
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