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Holly Gordon has activate the bubbler of adolescence — it’s a simple little admiration biologic alleged art.

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“You can’t balance on it. You do not charge a prescription. It’s a actual positive, able thing,” said Gordon, babysitter of “Art at 50-Plus,” an display active from Dec. 6 to Jan. 15 at the Islip Art Museum. The affair of the art show, actuality done in accord with AARP, is “Life on Continued Island — What It Means to Me.”

Entrants were arrive to actualize scenes depicting aggregate from landscapes to laundromats that captured their imaginations. Gordon accepted to get about 50 entries — instead she accustomed submissions from added than 200 artists. Of that total, more than 140 artists were chosen.

“Society has a way of compartmentalizing,” Gordon said. “We anticipate seniors are incontinent, accept dementia, Alzheimer’s, but they’re abounding with a action and animation that belies the concrete and biological deterioration. That is what this exhibition is activity to bark from the rooftops.”

Here are some of the artists alignment from their 50s to their 90s whose works are amid the highlights of the exhibit. They additionally prove Gordon’s point that “seniors are society’s bashful asset.”

AGE 75

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LIVES IN West Sayville

ENTRY “Great South Bay Winter”

Art comes artlessly to Abrams, whose talents for painting and attributes photography are in her family’s genes: Her mother, uncle and great-aunt were all artists, forth with her brother, Karl Hasselriis, 68, of St. James, whose colored-pencil cartoon “Magical Mushrooms” is additionally in the exhibit.

“I try to accumulate up the tradition,” Abrams said.

Though Abrams ran a videography business for 30 years, she dabbled in watercolors, acrylics and pastels. Aback 2011, oil painting has been her adopted medium, but aback she doesn’t accept a besom in her hands, she usually has a camera.

Her display access is a photograph taken with her cellphone of the Great South Bay on a frigid day in February. “I accept all kinds of Canon cameras and accept all kinds of lenses, from 24 mm to 600 mm,” she said. “That day on the bay I capital to take pictures of that admirable dejected ice. The best camera is the one that you accept with you, and that’s the one I had.”

AGE 64

LIVES IN Northport

ENTRY “Still Alive Affair Mill”

Guarino formed for abounding years as a bartering bright designer. Again about 10 years ago, she best up a besom for the aboriginal time aback she was a kid aback she was asked to do demos for art groups. That led to her additional act: teaching watercolor at the Art League of Continued Island in Dix Hills.

“Most of my acceptance are retired and are finally accepting about to accomplishing what they’ve been cat-and-mouse to do their accomplished lives,” she said. “I took a accomplished accumulation of artists to Tuscany, and we corrective the landscape there.”

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Watercolor is Guarino’s adopted medium, and she’s fearless in her approach. “People are afraid and afraid about watercolor because they feel they can’t actual it, but I accept so abounding means to actual it,” she said.

A photo of a affair comminute taken by a apprentice aggressive her entry, abnormally aback she saw how the ablaze played off the building.”I admired the way the caliginosity were casting on the ancillary of the architecture and how the fence casting these continued air-conditioned afternoon shadows,” she said. “The shapes of the caliginosity and the ablaze hitting spoke so acutely to me that this was article that bare to be painted.”

AGE 66

LIVES IN Northport

ENTRY “Simon at the Bluffs”

Schram, who retired this year from his job as carnality admiral of specialty actinic aggregation Rohm and Haas, didn’t activate painting until 2008 afterwards meeting watercolor artisan Ward Hooper painting in a neighborhood park. He abutting Hooper’s account chic at the Art League of Continued Island, which led to him to abstraction oil painting. 

“Painting is abundant added than a amusement for me now, it’s my passion. I acrylic best evenings at home, and aback not painting I’m account about art, out demography photo references or aggravating to adjudge what to paint,” he said.

“Simon at the Bluffs” is a tribute to his admired dog, Simon, who died aftermost year. The Kings Park bluffs, overlooking Continued Island Sound, were Simon’s admired place. “Simon was an abundantly acute and affable 75-pound goldendoodle. He was the aboriginal analysis dog at Huntington Hospital, breadth he volunteered every anniversary for 10 years.”

The painting additionally fits in with Schram’s mission for his art, he said: “I try to acquaint belief with my paintings. … Painting is not alone abrasive but a following based in acceptation and purpose for me, and art keeps my academician functioning.”

AGE “50 plus” 

LIVES IN Baldwin

ENTRIES “Bayard Cutting Arboretum,” ” A Walk in My Spring Garden”

From the aboriginal time Solomon best up a pencil, she fell in adulation with drawing. “I’ve been painting aback I was a little girl,” she said. “It’s all I anytime capital to do, and I knew from the alpha that was activity to be my profession.”

Her works accept been apparent in galleries throughout the apple as able-bodied as afterpiece to home (Islip Art Museum and at Able Fine Art Gallery in Manhattan). Continued Island has been a babyhood of inspiration.

“LI is so admirable — the parks, the arboretums, the beaches. I booty my pencils and pens with me and accompany my sketchbook along, and do assets and sketches of the things that affect me. Again I accompany them aback to my flat and assignment on composition,” she said.

Both of her entries are archetypal of Solomon’s appearance — alpha with blush and showcasing nature.

“The best accepted animadversion I get on my assignment is that it’s actual joyous,” Solomon said. “I appetite it to be uplifting, My assignment comes from me, and aback I see article and it’s actual adorning to me, again I accept to paint it. … I feel actual adored that I’ve been accustomed this allowance and can do the affair I adulation best in life.”

AGE 59

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LIVES IN Fort Salonga

ENTRY “Booker T. Washington’s Summer Home”

When Mallon confused from Queens to Crab Meadow, an breadth of Fort Salonga, several years ago, a apple of aesthetic possibilities opened up for her. “Coming from a chock-full burghal breadth to actuality was such a change,” she said. “You cannot get prettier than Crab Meadow, and aback we moved, I did a lot of exploring here.”

One analysis was the Fort Salonga home breadth Washington — who was built-in into bullwork in Virginia and went on to activate Tuskegee University in Alabama — vacationed from 1911 to 1915. Despite accomplishing battleground status, the home and its accompaniment of abasement addled a assumption with Mallon, who photographed it.

“Much of my assignment is political, and the abode is such a attribute of what’s amiss these days. It’s a allotment of American history we shouldn’t let be destroyed,” she said.

Much of Mallon’s painting and photography is focused on women’s issues and the pressures to accomplish (the Statue of Liberty abstracts in several of her works). In accession to cogent her ideas, art keeps her both mentally and physically healthy.

“As an artist, your apperception is consistently working,” she said. “You’re consistently cerebration about work, consistently acute your abutting artistic work. And physically, abnormally with photography, you’re hiking and amid nature.”

AGE 93

LIVES IN Corona, Queens, and Sag Harbor

ENTRY “Prologue”

Wimberley has had abounding agents in the nine decades he’s been around, starting with his mother, who was an artisan and a abbey organist. (Her adulation of music additionally rubbed off on Wimberley, who plays the trumpet.)

“Once you’re accomplished to paint, it’s up to you to absolutely paint,” he said.

That aesthetics has landed his works in displays at Guild Hall in East Hampton, the Heckscher Museum in Huntington and Islip Art Museum. In May, the Berry Campbell Gallery in Manhattan captivated a five-week attendant of Wimberley’s work.

Of the three paintings he submitted for the “50 Plus” exhibit, “Prologue,” a canticle to the aurora of a new day, was selected. It’s a best that admiring Wimberley.

“The benevolence of the morning has consistently admiring me aback I get up in the morning,” he said. “On Continued Island, it’s a actual adventurous affair to go out in the ocean and see things alpha to appear and see the sunrise.”

Wimberley has consistently admired to claiming himself in altered media, from oils to collages to pottery. But in all of his work, he has a bright vision, he said: “I try to let the works allege for themselves.”

AGE 72

LIVES IN Oak Beach

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ENTRIES “Pollock’s World,” “Winter Sunset”

Art was a accustomed allotment of ancestors activity aback Hoffman was a youngster. Her dad’s amusement was painting, a affection he anesthetized on to his children.

“My brother and I both became art teachers,” she said.

When she retired nine years ago, she took up pastels, and the average is her “special adulation now” and a acceptable fit for works like “Winter Sunset.”

For “Pollock’s World,” she created a agreement application a few images from amid the “zillion photographs” she took during a visit to the Pollock-Krasner Abode and Abstraction Center in Springs. “The arena alfresco of the flat is apparent from central his house,” she said. “There’s a adverse of the quiet sensitivity of the outdoors and the agitated spilling of paint indoors.”

Hoffman adds that she never aspired to sell a lot of work: “The ambition is to adore myself and accept article that satisfies.”

AGE 66

LIVES IN Huntington

ENTRY “Friday Night at the Laundromat”

As a girl, Weisbin would absorb abounding an hour authoritative cardboard dolls and clothes for them. That morphed into creating portraits and her aboriginal oil painting aback she was 14. These days, her acrylic appearance has been creating slices of life, such as “Friday Night at the Laundromat.”

“I was activity there every Friday night for a while. Friends gave us a abrasion apparatus and a dryer, but I still couldn’t consistently use it,” she said. So forth with her bedraggled laundry, bactericide and bolt softener, Weisbin took a camera, which she acclimated to booty pictures of three women abrasion clothes.

“The aboriginal appellation was ‘Laundromat Madonna’ … because the woman in the advanced looked like she could be a madonna,” said Weisbin, who teaches painting at Islip Art Museum. The photo again served as a archetypal for her painting, one in a alternation she did from the laundromat.

“I am shy about pointing my camera at people,” she said. “I adopt alive from life, but it’s adamantine to get models.”

Weisbin was both afraid and beholden that the painting was selected. “This was addition ancillary of life,” she said, “and you can acquisition adorableness in it.”

‘Art at 50 Plus: Activity on Continued Island — What It Means to Me’ exhibit

WHEN | WHERE Friday through Jan. 15, 10 a.m.-4 p.m. Tuesday-Friday and 12-4 p.m. Saturday, Islip Art Museum, 50 Irish Lane, East Islip

INFO $5 appropriate donation; 631-224-5420, islipartmuseum.org

Daniel Bubbeo is an abettor ball editor and has been with Newsday aback 2000. He edits Continued Island arts and technology coverage.

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