“You can apparently apprehend him appropriate now, cartoon for the band,” says Potter, 36, from the alley in Charleston, S.C. Her articulation pulls abroad from the buzz for minute: “Sagan, did you draw a rocket? Are you cartoon a rocket? You’re cartoon Nemo? Wow!”
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She comes back: “Yeah, he inspires me. The song ‘Every Heartbeat’ on the new anthology is about him, and additionally about Eric — it’s about adulatory the joy of absolutely award home,” she says.
The Vermonter, who founded her own New England music fest, Grand Point North, will comedy Bonnaroo in June as allotment of an ballsy lineup. But aboriginal there’s the accepted bout and a stop in Boston at the Abode of Blues Jan. 31. It’ll be a accession of sorts.
“Boston was the foundation of my touring activity above farmers’ markets and ability fairs in Vermont,” she says.
Q. I’ve been alert to your new album. You had a lot of anarchy activity in your activity during that time, you’ve said.
A. Yeah, I accept crisis leads to advance in any anatomy of life, not aloof art and music. I ambition I didn’t accept to draft my activity up in adjustment to address abundant annal but I anticipate it aloof stands to acumen because those absolutely acute affecting states of actuality adjure the best honest, raw, edgy, absolute adaptation of a human. I anticipate there’s article absolutely abrasive about it.
Q. And weren’t these songs aloof for your journal? You never accepted to allotment them.
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A. Oh, I was in abounding ameliorative processing mode. If I had accepted that these songs would go out into the bigger, added world, I wouldn’t accept accounting them. Or they would’ve been actual altered songs. I was absolutely hurting, and music became a acquaintance to me again. Because for a continued time, I was absolutely agitated at music.
A. I did quit. In a way, I abdicate the way music was in my life. Because music can be inspiring; it can additionally be affectionate of a airy beast. In 2016, that’s aback I absolutely de-iced. “OK, I charge to cull the curtains and accord myself an absolute bulk of time to reflect on this.” So I did things like traveling and affable and abode renovating.
Q. You house-painted for a while.
A. There’s annihilation that makes me happier. Ask my band. We were aloof in call in Nashville for four canicule — they were rehearsing, I was painting. I’m not kidding. I was painting the set, alive on the date concept. That is my blessed place. I would say that it’s the abutting to abutting myself with the universe.
Q. Do you acrylic artistically, too?
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A. Mostly it’s added functional. I was a accepted contractor. I did a lot of nurseries aback I had my acrylic aggregation aback in the day. I additionally corrective a lot of walls with chalkboard paint. In the year or two that I wasn’t absolutely cerebration about music, I put chalkboard acrylic all over the ablution in the accommodation area my admirer and I were active in at the time, and I would address things bottomward on the wall, while I was demography a bath, or sitting on the toilet.
Q. [Laughs] That’s great.
A. [Laughs] Article ancestor into your head, address it down. Many of the lyrics that concluded up on “Daylight” were accounting on those walls.
Q. Benmont Tench is on your new album.
A. Yes! I anticipation I knew how to comedy the agency until I saw Benmont Tench comedy the organ. And again I was like, “Never mind, never mind. I apperceive nothing.” [Laughs] The aboriginal time we played calm was at a Linda Ronstadt accolade concert a few years ago — it was the alone affair I did during the time I was demography off from music.
Q. [You’ve recorded] with Kenny Chesney. How did that affiliation happen?
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A: It’s addition Linda Ronstadt connection, I did an article about Linda already in a book alleged “Women Walk the Line,” by Holly Gleason. Holly is Kenny’s publicist. She knew me through ancestors accompany on Martha’s Vineyard aback I was out there painting houses. As a teenager, I had a audience CD and gave it to her because I knew she was in the music industry. She apparently threw it into the aback of her car; it apparently sat there for a continued time. But ultimately, she threw it into addition accumulation of CDs on Kenny Chesney’s baiter bottomward in the Keys. As he tells the story, he’s out there amphibian about amid the Florida Keys and St. John, and this articulation came on his shuffle, and I was singing “Apologies” from my aboriginal record, and he sat up and said, “This is the articulation I want.” So it was a absolutely fortuitous, catholic thing.
Q. Your son is addition big change for you.
A. Accepting spent 13 years of my developed activity on a rolling bus, as against to an accommodation or a abode area I could ask myself, “Where do I appetite to live? Area is home?’’ award myself a mom and a wife and in a garden, aloof like, burying basil and accepting one adored moment afterwards another, it absolutely came home for me that I was who I capital to be, and I embodied all the things I envisioned. I was assuredly there.
Interview was edited and condensed. Lauren Daley can be accomplished at [email protected] Follow her on Twitter @laurendaley1.
At Abode of Blues, Boston. Jan. 31 at 6:30 p.m. Tickets $41-$55, www.houseofblues.com/boston
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