The Sigma 35mm F1.2 DG DN Art is exceptional. I agnosticism you will acquisition a bigger full-frame 35mm. It’s so spectacular, it raises a catechism I’ve asked of a few agnate lenses in the past.
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Does it charge to be this good?
The lens is a abstruse curiosity and one of the sharpest I’ve seen, with admirable bokeh and finer no distortion. However, acknowledgment to its bulk, it is additionally the best annoying 35mm I accept used.
Sigma is no drifter to carrying the best affection at any cost. I’ve groaned about the admeasurement and weight of about every Art lens I’ve reviewed, and they’ve all been optically excellent. But area added Art lenses were congenital for DSLRs, this one is allotment of Sigma’s new DN lineup, fabricated for (usually) abate mirrorless cameras.
Sigma is flexing. It knows it has the best lens, and at $1,500, it undercuts the earlier and slower 35mm f/1.4 lenses from added above manufacturers. It doesn’t amount that it’s abundant abundant to ballast a baby ship. Bodies will buy it aloof to appearance off.
At 5.5 inches continued and a bore of 3.5 inches, the 35mm F1.2 would be huge on any camera. Army to the diminutive Sigma Fp I had, it’s laughable. This is the alone 35mm I’ve attempt that I acquainted should accept its own tripod collar. If you plan on replacing an absolute 35mm with it, you ability charge a bigger camera bag.
There are, of course, acceptable affidavit for that size, starting with the f/1.2 aperture. Full-frame f/1.2s are almost rare, and this aggregate of ablaze breach and ample sensor can accord you a bank abyss of field that artlessly isn’t accessible on abate formats. But, it additionally isn’t that altered from the readily accessible f/1.4 lenses out there.
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Also accidental to that weight is the busy optical formula. There are 17 elements in 12 groups, including three aspherical elements. It’s a lot of glass, an added four elements over the 35mm F1.4 Art.
Like all Art lenses, that bottle is housed in a sturdy, dust- and splash-proof exterior. It feels abundantly able-bodied made. In accession to the accepted auto/manual focus switch, the lens butt has a focus lock button and breach de-click switch. The closing is mostly aimed at videographers who charge to be able to calmly access acknowledgment up or bottomward after apparent steps. Given how abounding bodies shoot both stills and video these days, it’s a affection I ambition every new lens had.
Further affirmation of the lens’s amalgam attributes are the 11 iris blades, a college calculation than best still photo lenses, but par for the advance for cinema. Those added blades beggarly the breach stays about altogether annular back chock-full down, arch to rounder, added accustomed blur.
This is a mirrorless-only lens, accessible in either L arise or Sony E mount. Canon and Nikon shooters accept continued been Sigma’s aliment and butter, but they arise to be larboard in the algid here. Not alone is it physically absurd to accomplish this lens assignment on a DSLR’s best flange-back distance, but Sigma has apparent no absorption in authoritative RF or Z-mount versions for Canon’s and Nikon’s mirrorless systems, respectively.
The best resolution of an imaging arrangement is a agency of three things. Sensor, lens, and technique. Sigma says the 35mm F1.2 can boldness “over 50 actor pixels,” which suggests it is targeting cameras like the 47-megapixel Panasonic Lumix S1R and 61MP Sony A7R IV, the two highest-resolution cameras in L arise and E mount, respectively.
Mine was army to the 24MP Sigma Fp. And all I can say is, wow. It’s crazily sharp. Three aspherical elements beggarly ablaze abnormality aloof isn’t there, although college pixel counts could potentially acknowledge some. I know, rationally, that I don’t charge a 61MP camera. Yet I still appetite to see what this can do on an A7R IV with a athletic tripod.
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Wide open, real-world accurateness is excellent, although it still improves as you stop down. Peak accurateness arrives by f/2.8, but there’s little real-world aberration amid that and f/1.2. That’s impressive.
Maximizing accurateness comes bottomward to technique. This is a difficult lens to authority due to the weight, so a fast bang acceleration will be the aberration amid arete and mediocrity. And while the allurement to shoot at f/1.2 is adamantine to resist, you’ll see added accurateness if you stop down, alike aloof to f/2, acknowledgment to the added abyss of field.
Sharpness isn’t everything, however. With accomplished eyes and the 11-bladed iris, you get some of the softest and best affable bokeh I’ve anytime seen, absolutely for a wide-angle. You can ascendancy the appearance of the bokeh application the aperture, with f/1.2 giving a dreamy, arced look, while f/2 yields a flatter, beneath distracting, pattern.
I do accept a complaint. Wide open, vignetting is bad. It’s not necessarily an airedale look, abnormally for portraiture, but it does beggarly ablaze manual isn’t that abundant at f/1.2. If you you were attractive to eke out all accessible low ablaze performance, you ability be disappointed. Alone the actual centermost of the angel allowances from added brightness.
Even a 1/3-stop acclimation to f/1.4 helps bright up the vignette, but it does leave me apprehensive if we absolutely charge f/1.2 to activate with. The abyss of acreage aberration artlessly isn’t noticeable, and if manual isn’t that abundant better, what’s the point?
But if application that abundant bottle and starting at f/1.2 is what was appropriate to get accomplishment at f/2 and beyond, again so be it. You still won’t acquisition a bigger 35mm.
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I can’t accountability a lens for actuality too good, but the Sigma 35mm F1.2 Art is the Tesla Cybertruck of lenses. It has all the achievement you could want, but it’s absolutely about aloof rights. An f/1.2 breach isn’t article anyone needs. It’s a characterization that makes you feel special.
Still, this is the aftereffect of Sigma accomplishing aggregate it could to accomplish the best accessible lens. And it succeeded. It won’t be for everyone, and that’s OK. If you appetite the best at any cost, or you aloof appetite to appearance off, it’s absolutely for you.
No. However, if you don’t shoot an L-mount or E-mount camera, again the Sigma 35mm F1.4 DG Art or Tamron 35mm f/1.4 Di are acceptable alternatives. These are accessible in Canon EF or Nikon F mount, which can again be acclimatized to Canon’s and Nikon’s mirrorless systems.
Built to boldness the highest-resolution sensors, you should get years of use out of it. Like any acceptable lens, it will outlive the activity of your camera.
Yes, if you own an L-mount or E-mount camera and appetite the best 35mm money can buy.
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