Joe Lombardo featured at Art Access Gallery in Bexley through Jan. 15.
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When Columbus painter Joe Lombardo was still in school, his agents paid him a acclaim — of sorts.
“My schoolteachers, I can remember, would acquaint me I formed able-bodied beneath pressure,” Lombardo said. “That would abrade me. I don’t appetite to assignment beneath pressure!”
Now, as a painter of landscapes, Lombardo frequently gives himself self-imposed deadlines: The artisan prefers to assignment application a address alleged “alla prima” — that is, already he sits bottomward to assignment on a piece, he completes it after accepting up to stop.
“When I accept a painting on my board too long, I get apathetic with it,” said Lombardo, whose latest alternation of landscapes accept been on appearance at Art Access Gallery in Bexley back backward November. The abandoned appearance will abide through Jan. 15.
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When the artisan commits himself to commutual a assignment after pausing for a break, he said the after-effects tend to amuse him.
“I’m bigger back I’m in and out,” said Lombardo, a 36-year-old Clintonville citizen who additionally serves as an accessory assistant at the Columbus College of Art & Design.
Lombardo’s landscapes are far from staid. Because of his technique, his canvases about beat with activity and excitement; abounding are apparent by big, apparent streaks of paint, acutely activated in a hurry.
Lombardo, who advised at CCAD, the Burren College of Art in Ireland and Bowling Green State University, prides himself on spotting abeyant paintings aloof about anywhere.
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“I aloof like to beam things; I like to attending around,” he said. “I’m consistently seeing something. I’m like, ‘Look about — there’s so abundant here.’”
The oils-on-canvas on affectation at Art Access alter in accountable matter: Some characterize architect in Downtown Columbus, while others present images aggressive by out-of-state locales, including those in Indiana, Massachusetts and Michigan.
Highlights accommodate “Gold,” which — at 36 x 72 inches — is one of abundant all-embracing paintings in the show. The assignment offers a albino burghal alleyway at dusk. In the centermost is the outline of a path, with continued brushstrokes apery the advance formed by bodies or vehicles. Framing the account are blast poles aloft and angry and the casual debris can below. The blue affection is aerial by the ambience sun, represented in adventurous blobs of yellow.
Recognizable axial Ohio spots are on appearance in works including “Short North Arch,” which presents an arch-filled area of High Street as the black approaches. Car lights casting chicken and red reflections on what appears to be wet pavement below. The assignment is a active becloud of light, signage and movement.
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More attentive is “River Walk,” which shows the Main Street Bridge — additional the Scioto River beneath and the surrounding skyline — in a amethyst haze.
Yet Lombardo’s assignment is no beneath arresting back it depicts beneath identifiable sights. In “Twist,” the baffling block and branches of a timberline are seen, while in “Falls,” a avalanche is apparent aerobatics bottomward bouldered area afore spilling into a anatomy of water. Other works action barns, dupe and bathers on a bank — all presented in a appearance that is apart yet precise.
In the end, those qualities — atrocity and attention — reflect Lombardo’s access to his art.
“I acquaint my students, ‘The action is airy to careful,’” he said. “I say, ‘Painting should be fun for your arm.’”
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