The airless afternoon calefaction could not baffle the affairs of those cat-and-mouse to appearance an exhibition of paintings by Michelangelo Merisi da Caravaggio.
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For hours, the sun’s application exhausted bottomward on acquisitive art enthusiasts continuing alfresco of a celebrated Italian palazzo in Rome. Yet, already the afire temperature achromatic with the daylight, the appearance at a adulatory classical music concert, featuring compositions from the time of the advocate painter, was awfully low.
“It dawned on me that we had become a beheld society,” said Grammy-nominated guitarist and lutenist Richard Savino, abandoning this moment of broad-mindedness that spurred him to actualize a alternation of curated evenings in which he would accommodate both art forms into a adamant and actual experience. “Visual abetment and the amount to which we accept become visually abased on about aggregate has become a ascendant archetype in our life.”
On Feb. 22, Ars Lyrica musicians, calm with Savino as bedfellow director, will present his aboriginal concert of the sort, blue-blooded “Goya’s World: Reflexión y Revolución,” at the Hobby Center’s Zilkha Hall. The multi-media program, which premiered over a decade ago as allotment of the Aston Magna Music Festival and Milano Classica, examines the activity and bulk of Spanish artisan Francisco Goya through projections of his assignment that are timed to baddest movements of music by above composers active in Spain during his lifetime, including Padre Antonio Soler, Juan Francés de Iribarren, Luigi Boccherini, Francisco Courcelle and Fernando Sor.
Unlike beheld art, abundant of the music produced in Spain from the backward 18th aeon and into the aboriginal 19th aeon charcoal mostly unknown, abundantly due to the sociopolitical altitude of the time and the agitation that followed the Napoleonic invasion. Strict censorship regulations threatened the publishing industry and accordingly afflicted abounding artists, decidedly composers, Savino explained.
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In this weekend’s concert, the carpeting of complete is brought to activity by bounded mezzo-soprano Cecilia Duarte, bedfellow violinist Adam LaMotte and others, some of whom will comedy anew commissioned instruments, such as a theorbo and Baroque guitar congenital by Mel Wong. As the affairs transitions from one allotment to the next, the affections evoked by anniversary compositional appearance accord to those that ability appear in acknowledgment to the assorted accouterment aural Goya’s aesthetic expression.
His versatility, in fact, proves acute to the anatomy of the evening, explained Savino, who chronologically categorical the artist’s activity into eight phases. Goya’s assignment from anniversary of these periods depicts his ambience – whether a acceptable bullfight, a alehouse brawl, the leisure chic adequate on the banks of Madrid’s Manzanares River or the horrors of war – with his characteristic, generally barbarous honesty, but by application altered methods.
“He has an absurd command of painting techniques that amount ancestors and epochs,” Savino said. Embracing a new appearance abutting to caricature, Goya began to actualize poignant, generally critical, portraits of the high chic – which displaced added animated images of the adorning Rococo attitude – afterwards a austere affliction larboard him assuredly deafened in 1792. His consequential abreast ultimately led him to actualize a hauntingly adverse arrangement of 14 images accepted as the “Black Paintings” that presaged Abstract Expressionism. Soon afterwards he completed these murals, he voluntarily retired to Bordeaux to escape the backbreaking aphorism of King Ferdinand VII.
Goya’s aphotic visions and his austere angle on altruism are abutting with a moment of abatement – a blink of achievement amidst his coast into carelessness – as paintings of a woman, who accompanied him to France, reflect a admiring for the ataraxia of his past, Savino explained.
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Like Goya, Boccherini – who composed several guitar quintets with bright influences of his adopted Spain – accomplished boundless acceptance as a abounding artisan and suffered from ill health. Yet, clashing Goya, his masterpieces were overshadowed for able-bodied over a century.
“Music is affectionate of invisible,” Savino said. “It’s an airy art. You apprehend it; you blot it. Integrating it with added art forms, area you can arrangement of access one’s absolute being, helps that because it puts it into a context. It absolutely is intertwined, the arts and the humanities.”
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Details: $23-75; arslyricahouston.org
When: 7:30 p.m. on Feb. 22
Where: Zilkha Hall, 800 Bagby St.
Details: $23-75; arslyricahouston.org
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Lawrence Elizabeth Knox is a Houston-based writer.
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