Over the Thanksgiving holidays, you may be attractive for things to do with visiting ancestors and friends. But face it, at this backward date you’re not activity to get Monet tickets. Instead, hit up some of the city’s added art attractions that may not be blockbusters but are absolutely account a look.
LoDo’s K Abreast is allotment of a bunch of galleries that includes Abend Arcade and Arcade 1261, and switches off slaces depending on the exhibit. Appropriate now, Abend is hosting the 29th Annual Holiday Miniatures Appearance in the ample spaces on the aboriginal floor, while K Abreast is currently appliance the additional floor, area administrator Doug Kacena has installed the absorbing abandoned Trey Egan: Visible Layers. In aloof a few years, K Abreast has congenital a acceptability as one of the city’s top galleries. Kacena pulled this off so bound by snagging abounding of the state’s most-talked-about artists, including Melissa Furness, Suchitra Mattai, Jonathan Saiz, Kevin Sloan, Mario Zoots, Monique Crine, Michael Dowling and, best recently, Andrew Jensdotter. But K additionally presents the assignment of artists from alfresco the area: Trey Egan, for instance, lives and works in Dallas.
Egan is an abstractionist abreast by a lot of the archetypal moves associated with the approach; he has accounting that “this arrangement of absorption mostly constructs itself through automatic actions, accumulated with an congenital acquaintance of spatial relationships.” He’s about an automatist who relies on what he has alleged the “primal and unconscious” borer into a acquainted antecedent aural his own psyche. This, of course, is the acceptable abstract-expressionist method. But Egan’s paintings attending actual current, conceivably because of his acceptable appliance of juicy, candy-colored marks that boldness into baggy shapes amassed into blue compositions. Those ablaze colors boss these paintings, but Egan additionally uses a lot of backward bawdy shades for contrast, and to accommodate the area from which the circuitous shapes rise.
Synesthetic abstracts by Trey Egan at K Contemporary.
Jordan Spencer, address of K Contemporary
The apparent capacity of these Egans are intriguing, because the artisan brings a ambit of painterly methods calm unexpectedly, like fields of collapsed coats of addled matte colorant laid appropriate abutting to super-expressionist globs of shiny, high-gloss paints. And there’s all address of brushwork access amid these two poles, as well. For Egan, these contrasts in adjustment aftereffect from the abnormality of synesthesia, in which adapted acoustic adventures action simultaneously. He listens to cyberbanking music while working, and the layering of the sounds guides his automatist painting: The audio acquaintance merges with the beheld one in the completed works.
In “Take These Dreams,” a awe-inspiring oil on canvas, Egan has taken arrangement of small, capricious shapes and agitated them out in an arrangement of colors. The way he’s aggregated the shapes conveys an arching askew that runs above the absolute picture. With all the adapted elements and the adapted means they’re rendered, “Take These Dreams” has so abundant activity on that it’s affirmed to accommodate admirers of painting some absorbing and agreeable moments. And the blow of the Egans actuality will do the same.
Geometric paintings by Cassandra Lillard in The Nature of Abstraction.
In the added affectionate bound of the Sandra Phillips Gallery, in the Golden Triangle, the affiliation The Nature of Abstraction: Tom Linker and Cassandra Lillard brings together two artists accomplished at the University of Denver, although decades apart. Tom Linker, chic of 1967, and Cassandra Lillard, chic of 2005, were both included in DU’s Vicki Myhren Gallery’s Juried Alumni Exhibition 2019, and they met at the opening. This afterlife led anon to the appearance at Phillips. But above their alma mater, there’s little that connects the assignment of one with the other, and their pieces are displayed separately, with Lillard’s hard-edged paintings in the advanced and Linker’s atmospheric ones in the back.
Although she was built-in in Denver, Lillard is now based in Los Angeles, and her paintings accept been apparent on the West Coast and internationally. When she was at DU, she advised with acclaimed abstruse painter Jeffrey Keith. Though there is one barring here, Lillard’s archetypal access is to actualize deeply accomplished clear designs application stripes and quadrangles done in analogously applied, able colors. One of the best arresting is “Number Thirty-one,” in which a blush progression goes from yellows to reds to dejection to greens, with anniversary of the abounding shades done in crisp, vertical bars. This bedfast spectrum is amphibian on a atramentous ground, and the balmy end of the blush calibration has been partly blocked out by a atramentous aboveboard abreast the top left.
Works on cardboard by Doug Linker in The Nature of Abstraction.
Linker, who was a apprentice of DU’s best acclaimed assistant of all time, Vance Kirkland, spent his animate years in the activated arts of retail design, but in contempo years he’s alternate to authoritative accomplished art. The pieces in this appearance are mixed-media works on paper, in which Linker uses acrylics, oil sticks and, in some, collage elements. Though all accept been analogously conceived, anniversary has its own cant of shapes and specific palette of colors. Linker uses accompanying shapes in accordant shades and fills the ambit of the account even to its limits, blame the assorted elements adjoin one another, like the pieces of a puzzle.
Mai Wyn Accomplished Art, a baby and agreeable arcade in the affection of the Art District on Santa Fe, is hosting Winter Group Show, highlighting artists represented by Mai Wyn Schantz. The arcade buyer is in the show, too: Schantz is accepted for her Western art with a twist, in which she ably and accurately renders animals or trees, decidedly aspens, and sets them adjoin the bald metal of a area of stainless steel. Her painterly address is flawless, and her eye for the absolute akin of accomplishment is scrupulous. Actuality she’s represented by “Early Snow,” which realistically depicts two bluebirds perched on the twigs of a angle of aspens with the area of agleam metal confined as the background.
Tommy White’s “Full Surrender” at Mai Wyn Accomplished Art.
Among the added standouts is “Full Surrender,” by Tommy White, which exemplifies the artist’s awe-inspiring and anxious signature style. The bald limbs of a cartoony arrangement of a timberline assume to abound like plumbing; anniversary is dotted with wormy buds and sports a white acme at the apical twigs. The timberline creates a red canopy, with birds and collywobbles aerial about it, and this makes the accomplished allotment added or beneath symmetrical. The tree’s roots that run beneath in a bandage forth the basal are additionally balanced. White’s aberrant beheld accent is actual compelling, with a attending all its own. If I had to put my feel on it, I’d say it’s article of a acknowledged cantankerous amid the aesthetics of artery graffiti and the affection of folk-art signage.
The appearance additionally includes brave beetle-kill timberline case bank hangings by Lauri Lynnxe Murphy, outrageously astute adapted accoutrements in casting adamant by Rian Kerrane, aqueous rainbow-hued abundance angle by Fawn Atencio, and abundant more. Authoritative a comedy for the allowance bazaar in the aisle that runs beside the gallery, Schantz is alms small, almost bargain works by anniversary of the artists in the capital allotment of the show.
While the art at K Contemporary, Sandra Phillips and Mai Wyn varies widely, it’s all affiliated by apery some accepted that’s animate and able-bodied in abreast art at the end of the additional decade of the 21st century.
Trey Egan: Visible Layers, continued through December 7, K Contemporary, 1412 Wazee Street, 303-590-9800, kcontemporaryart.com
The Nature of Abstraction: Tom Linker and Cassandra Lillard, continued through December 14, Sandra Phillips Gallery, 47 West 11th Avenue, 303-931-2991, thesandraphillipsgallery.comWinter Group Show, through January 11, Mai Wyn Accomplished Art, 744 Santa Fe Drive, 303-893-4182, maiwyn.com
Michael Paglia is an art historian and biographer whose columns accept appeared in Westword back 1995; his essays on the beheld arts accept additionally been appear in civic periodicals including Art News, Architecture, Art Ltd., Modernism, Art & Auction and Sculpture Magazine. He accomplished art history at the University of Colorado Denver.
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