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Yes, “Homeland” is still on.

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In chat and on amusing media, the constancy of Showtime’s counterterrorism drama, which begins its eighth and final division Sunday, generally comes as a surprise. Afterwards all, it’s been added than eight years back its arresting aboriginal division — which premiered about absolutely one decade afterwards the agitator attacks of Sept. 11, 2001 — bedeviled the cultural conversation, and its favor with Emmy voters and admirers akin ailing anon thereafter. But there’s a acumen the series, created by “24″ veterans Howard Gordon and Alex Gansa from Gideon Raff’s Israeli “Prisoners of War,” has survived a sea change — or several — in both the average of television and the alleged “war on terror.”

“Homeland” is the best adjustable appearance on television.

Conceived as the bifold account of a coach — Mandy Patinkin’s Saul Berenson — shepherding his protégé — Claire Danes’ Carrie Mathison — through the thornbush of the Central Intelligence Agency, the alternation has back been a cat-and-mouse game, a abounding romance, a stripped-down spy abstruseness and a calm political drama; a critics’ darling, a disappointment, a improvement kid. It embodies, conceivably added than any alternation to appear from the medium’s contempo “Golden Age,” the affection that differentiates TV from best added art forms: change over time.

“The angel that comes to apperception is origami,” Danes says. “You can accumulate refolding the paper, and it can booty a altered shape.”

Claire Danes as Carrie Mathison and Damian Lewis as Nicholas Brody in “Homeland.”

(Kent Smith / Showtime)

Even at the outset, the appearance of “Homeland” was far from certain. The aboriginal alternation beneath both Showtime arch David Nevins and Fox 21 arch Bert Salke, “Homeland” admiring an “onerous” bulk of attention, Gansa says — decidedly in the anatomy of “tremendous opposition” to Danes as Mathison, a bipolar intelligence officer, and Damian Lewis as Nicholas Brody, an American POW she suspects of actuality a sleeper abettor for the agitator Abu Nazir.

“I don’t anticipate anyone capital me to comedy him,” Lewis laughs.

Lewis, of course, landed the role, and Gansa and aggregation ultimately captivated off executives’ admiration to casting Robin Wright or Maria Bello in the advance — arguing that the character’s bipolar ataxia apprenticed a adolescent actress, because by her 40s a being with the ataxia would about accept devised a way to administer it, or not. Already assembly was underway, what apace emerged was the electric allure amid Danes and Lewis — to the point that a key arena in the pilot was rescripted and reshot to booty advantage of the dynamic, according to biographer and controlling ambassador Chip Johannessen. Gansa remembers his abettor affecting him to watch the dailies of an aboriginal scene: “It was so belly and credible on the awning that [it] anguish up alteration the advance of the show,” he says. “We started autograph to that in a way that we hadn’t necessarily accepted to before.”

The consistent arc, in which Brody and Carrie mix an adulterous accord with alternate mistrust, helped accomplish the alternation an article of acute fan interest. Division 1 becoming “universal acclaim” from critics, according to the review-aggregation armpit Metacritic, and eventually won Emmys for ball series, advance actress, advance amateur and autograph for a ball series.

“The aboriginal division started airing as we were filming, so I got appealing absolute acceptance aloof from bodies on the street,” Danes recalls. “Insane enthusiasm. Bodies were absolutely active out of barrio and avaricious me and saying, ‘I’m bedeviled with your show!’ It was adamantine to avoid the impact.”

For Patinkin, who plays intelligence association bobcat Saul Berenson, the acceptance came afterpiece to home. A screening of the pilot adventure at a affair in the Hamptons led his own accouchement to acquaint him that “Homeland” was about to be a actual big deal: “They angry to me and they said, ‘You bigger be able that your clandestine activity is over.’”

Mandy Patinkin, photographed on the area of the Langham Huntington Hotel in Pasadena, plays adept intelligence administrator Saul Berenson in “Homeland.”

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(Mel Melcon / Los Angeles Times)

Though Brody’s bootless advance on the activity of the admiral of the United States in the Division 1 afterpiece admiring added attention, the capital characters’ adventurous arc culminates in Carrie’s unbearably abutting claiming of Brody in the Division 2 access “Q&A” — one of the finest hours of television produced in the aftermost decade. (“I got the calligraphy and I went into authentic panic, because it was 40 pages in one room,” says the episode’s director, “Homeland” controlling ambassador Lesli Linka Glatter.) But “Q&A” is additionally the moment to which a cardinal of “Homeland” veterans trace the series’ afterwards struggles: By the end of Division 3, hardly two years afterwards it was hailed as one of TV’s best shows, the New Yorker wondered, “Where Did ‘Homeland’ Go Wrong?”

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“After we wrote [‘Q&A’], it became abundant added difficult to address the show,” Gansa admits, anecdotic as “strained” a afterwards subplot in which Brody turns bifold agent, with Carrie as his handler. “It became absolutely adamantine to acquaint as acute Brody belief as we did afore that claiming episode, because now everybody was on the aforementioned page.”

Complicating affairs was Showtime’s absorption in continuing the accord that had fueled its accident hit for as connected as possible. The writers had apparent affecting abeyant in extending Brody’s arc, originally planned for one season, into a second. But extending it above that came at executives’ behest.

“I bethink the guys autograph the end of Division 2 with me dying and activity to angle it to Showtime and Showtime’s aperture hitting the attic and [them] saying, ‘What do you mean? Brody’s not activity anywhere,’” Lewis says.

“Keeping that affair activity yet addition year was actual abundant a studio/network negotiation,” Johannessen recalls. “They said, ‘We’ll aces you up for two added seasons if you accede to accumulate that accord in play.’”

As autograph “Homeland” became added arduous in the face of these constraints, so did watching it: With the air let out of Brody and Carrie’s relationship, Carrie and Saul on the outs and Brody’s daughter, Dana (Morgan Saylor), affected in boyish atrocity — with Timothée Chalamet! — added adapted to a ancestors melodrama, critics and admirers akin began to about-face adjoin the series. Its impressionistic capital titles and Carrie’s arrant jags alike came in for banter via Anne Hathaway on “Saturday Night Live.”

Lewis blames the brusque change to his character’s fate for the “improbable” situations and “narrative leaps” that followed — criticisms of which the writers were acutely, alike painfully, aware. “It was adulatory that they capital to accumulate Brody around,” he says. “But I was additionally acquainted that I was the problem.”

Rupert Friend as atramentous ops specialist Peter Quinn in “Homeland.”

(Joe Alblas / Showtime)

The band-aid came in the Division 3 finale, “The Star,” in which Brody is hanged in Tehran for killing the arch of Iranian intelligence — a accommodation fabricated adjoin the network’s wishes. “At that point, there was some allurement that went on,” Gansa says. “‘Please don’t do this.’”

It additionally larboard the writers to face that best seductive, and terrifying, opportunity: the apple-pie slate.

Enter “spy camp,” an anniversary affair at Washington, D.C.’s City Tavern Club amid the “Homeland” aggregation and an arrangement of accepted and above intelligence officers, State Department admiral and journalists. (One year, Edward Snowden was amid the speakers.) Both Gansa and Johannessen say that the assembly was acute to the abutting date of the series’ evolution.

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Since the alpha of Division 4, “Homeland,” aggressive by these chase sessions with the trade’s top insiders, has metamorphosed into a slim, agile abstruseness structured about like an anthology, with anniversary 12-episode arc focused on a new claiming and set in a new locale: bombinate warfare in Pakistan, for instance, or ISIS sympathizers in Berlin.

At the alpha of the fourth season, Carrie, now the CIA base arch in Kabul, Afghanistan, green-lights a bang on a Pakistani wedding, killing dozens of civilians but not her advised target, Taliban baton Haissam Haqqani. In reprisal, Haqqani kidnaps Saul, creating a aberration for his absolute endgame: a adverse advance on the U.S. admiral in Islamabad. The division climaxes with a brace of the series’ arch episodes, “There’s Something Else Activity on” and “13 Hours in Islamabad,” a riveting, two-part allegation of America’s conduct of the war on alarm that acquainted like “Homeland’s” acknowledgment to form.

“The better celebration of the show, afar from the aboriginal season, was the fourth season,” Gansa says. “The appearance could accept concluded abundant added bound if that division didn’t work.”

Though Division 4 constituted “proof of concept,” per Johannessen, this new anecdotal access additionally affected “Homeland” to become alike added active — alive the focus to Berlin, ISIS and Russian arrest in Division 5, and afresh to calm backroom and locations in Seasons 6 and 7.

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“Usually, with alternation TV, it gets easier year by year. You accept it dialed in,” Glatter explains, comparing the acquaintance to authoritative a pilot adventure every year. “‘Homeland’ never got easier, because we were consistently starting over.”

While the success of Seasons 4 and 5 active the series’ analytical reputation, and may accept stanched the flight of its admirers afterward Brody’s death, the aforementioned aeon saw added analysis of “Homeland’s” delineation of Muslims. Detractors alleged it “bigoted” and “Islamophobic,” Pakistani admiral complained that it maligned a abutting U.S. ally, and graffiti artists assassin to actualize accomplishments art for Division 5 wrote “‘Homeland’ is racist” in Arabic in a arena that fabricated it to air. As if in response, the abutting two seasons angry their absorption to Russian meddling, “the abysmal state” and the American far right.

“I anticipate there was some authority to those criticisms,” Danes says. “It was adverse that we were a little too glib or a little too reductive in our assuming of those characters, but I anticipate our acknowledgment to it was quick and sincere.”

Gansa agrees, abacus that the criticisms “100%” fabricated the series’ artistic aggregation added acquainted of the letters it conveyed about Muslims. “I anticipation that was great,” he says of the graffiti incident. “It was a nonviolent, destructive way of accepting a bulletin across.”

Still, the accusations of Islamophobia larboard a abiding mark on “Homeland.” According to Johannessen, two scribes set to accompany the writers’ allowance for the final division — one of Lebanese accomplishments and the added Iranian — abandoned out at the aftermost second, which he believes was a aftereffect of burden from bodies in their communities not to abutment “Homeland.”

“The assortment of our writers’ allowance was not great. And we fabricated an accomplishment all the time to accompany in writers, and we had agitation staffing,” Johannessen says. “By the time it’s maybe befitting you from accepting bodies you want, that’s not good.”

Elizabeth Marvel as President-elect Elizabeth Keane in a arena from “Homeland.”

(JoJo Whilden / Showtime via AP)

After filming afterwards seasons on area in South Africa (standing in for Pakistan) and Germany, Danes, Patinkin and the blow of the aggregation were accessible to appear home. A altercation at that year’s spy affected about the convenance of conference the president-elect on civic aegis issues aggressive the New York-set Division 6, in which Carrie advises Sen. Elizabeth Keane (Elizabeth Marvel), anew adopted admiral on an antiwar belvedere that antagonizes the intelligence community. And, as with a cardinal of key moments in “Homeland’s” evolution, the timing of the series’ accession was serendipitous: The division premiered on Jan. 15, 2017, bristles canicule afore the commencement of Admiral Donald Trump.

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Though Gansa, Johannessen and Glatter advance that Keane was not accurately modeled on Trump or his opponent, Hillary Clinton, the real-life attack casting an assertive adumbration over Division 6 — one that resulted, yet again, in affronted critics apprehensive what went wrong. They were not abandoned in the faculty that the alternation had, for once, been outflanked by events.

“There was absolutely a activity like, ‘You cannot bout the applesauce of this situation, so you aloof accept to break abroad from it,’” Johannessen says, citation HBO’s “Veep” as addition alternation to face the aforementioned problem.

“That was the hardest moment for us, absolutely — that aeon during the election, back we were cat-and-mouse to see who was activity to absolutely appear into office,” Danes recalls of developing the season. “[The writers] were absolutely stymied. I acquainted them to be creatively balked because of that abridgement of direction.”

Both Keane’s appearance and the “deep state” chicane that actuate the season’s artifice are an awkward fit, too far from the facts to assume clear-sighted and too abreast to feel original. Alike so, assertive aspects of the assembly dovetailed eerily carefully with contest on the ground.

“There was a moment that we were staging a beef alfresco of the Intercontinental Hotel in New York,” Glatter says. “It was apparently 300 bodies with signs adage ‘Not my president.’ Meanwhile, there was a assemblage at Trump Tower with signs adage ‘Not my president.’ And bodies absolved into our rally, accustomed people, going, ‘What’s activity on here? What assemblage is this?’ And we were cutting ‘Homeland.’ That was actual discombobulating, to say the least.”

Mandy Patinkin and Claire Danes in the final division of “Homeland.”

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(Sifeddine Elamine / Showtime)

As “Homeland’s” penultimate division began, with abreast self-parodic bluster, now-President Keane has confined hundreds of associates of the intelligence association in backfire for an advance on her life. Absent longtime accessory Peter Quinn (fan admired Rupert Friend), who sacrifices himself to save her and Keane at the end of Division 6, Carrie charge booty the action to the woman in the Oval Appointment all by her lonesome. By the seventh season’s ablaze end, with Keane’s abandonment and our charlatan appear to Saul afterwards an connected assignment in Russian captivity, “Homeland” allotment to its basal band — and recaptures the close agreement of its finest hours.

It additionally sets up the final season’s “elegant” conceit, as Danes describes it. Though Carrie’s bipolar ataxia is a active affair throughout the series, advancing in and out of focus as her affairs change, it allotment to the beginning afterwards her assignment in prison, during which she has been denied her medication. The achievability that she has appear acute advice while beneath such duress, and does not bethink it, leads some in the intelligence association to catechism her allegiance.

Or, as Danes puts it, “Carrie becomes Brody.” This aftereffect is underscored by the appellation sequence, which combines sounds and images from the aboriginal seven seasons, and the season’s plot, which Gansa says is advised in allotment to tie up apart ends from Division 4, including the fate of Haissam Haqqani. Actual purposefully, in added words, the series’ closing arc conjures the activity of best “Homeland.”

The account of TV alternation to survive connected enough, in abundant configurations, for such a byword to be applicative at all is vanishingly short. Certainly, none in the accomplished decade accept swung absolutely so berserk from the antic to the abstract as “Homeland.” But the series’ end has a departing quality: As conceivably the aftermost of the “Golden Age” dramas to go off the air, “Homeland” is an adumbration of a anatomy — the ongoing, “prestige” ball — that appears to be in decline.

In “Homeland’s” case, it’s not for abridgement of material; if anything, as we access 20 years of the war on terror, the series’ connected appliance has become an cold allusive of the conflict’s endlessness. As Patinkin suggests during the advance of our conversation, by turns bawling at the acceptation of the adventure and adequate by its conclusion, “Homeland’s” adeptness to advance in bike with its afflicted times is additionally what larboard those complex too drained to continue.

“It could go on forever, a appearance like this,” he says. “If you can abide it.”

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