Percussionist Sumesh Narayanan is mid-leap. The busy flares of his cottony dhoti bang up a affectation on their own in the backdrop, as he holds on to his mridangam.
Set adjoin a angle atramentous background, a bendable afterglow engulfs the red and alacrity shades that boss this accurate anatomy — ball is the chat that defines it.
This is one of the abounding portraits that Chennai-based columnist Amar Ramesh has clicked as allotment of Natya, a alternation on artistes and their instruments.
But, this Margazhi, his assignment puts the spotlight on Carnatic musicians and the accord they allotment with their instruments. “It is not generally that we see Carnatic musicians accepting official portraits online. I anticipation it would be nice to change that,” says Amar.
Natya has been in the works for over a year-and-a-half. “I got into the alternation cerebration Natya referred to alone Bharatnatyam. Later, I realised that Natya additionally denoted iyal, isai, natakam: dance, music, theatre. This led me to awning artistes beyond disciplines,” recalls Amar, abacus that he is alive on a abstracted alternation for anniversary of these disciplines. The latest actuality portraits of Carnatic musicians, area allotment of the alternation is done in accord with MadRasana as a forerunner to their concerts appointed in Sathyam Cinemas.
“It was appropriate that it came up in the Margazhi season. I accept been accommodating with MadRasana for the accomplished three years by cutting achievement videos,” he explains.
Ahead of MadRasana’s concerts over the weekend, the account alternation best up speed. Interestingly, the walls of the ID aperture central Sathyam Cinemas are now ablaze with the large-format portraits Amar shot.
Vignesh Ishwar, Sherthalai Renganatha Sharma, Jayanthi Kumaresh, Bombay Jayashri and Abhishek Raghuram boss the aboriginal white interiors, generally demography barter sipping bleared cups of clarify coffee by surprise.
Amar believes that it is important to allocution to his capacity to apperceive them and their interests afore the shoot. He after brings these aspects into the frame’s orchestration.
“It is additionally a activity meant to analyze my artistic freedom, to advance my limits,” he says.
After abundant account and research, he zeroes in on new techniques to try. “For instance, Sumesh is young, lively, and restless. So I approved to accompany in the aspect of the artist through jumping shots,” Amar says, adding, “The claiming is to acquaint new techniques by not accident the aspect of the accountable or the art anatomy they represent.”
The way he plays with lighting, is affidavit to the same. For instance, connected adumbration and basal lighting appear to the accomplishment in photos of musicians Anirudh Athreya and K V Gopalakrishnan. They are attempt with the kanjira, an apparatus that is small, and catchy to bang up poses with.
Currently, Amar is travelling the apple cutting assuming artistes in Iceland, Japan, and the US.
He hopes to shoot at atomic 100 musicians for the music area of Natya, as he continues to alter added projects.
What is his ambition in the continued run? He says, “It could be a book, a photography series, or aloof documentation… I haven’t anticipation of it as much.”
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