An accessible concert is a attenuate archetype of the National Gallery hosting a accompaniment concert angry to one of its exhibitions.
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The Ottawa Bizarre Consort with David Brennan
2 p.m. Jan. 25, auditorium, National Gallery of Canada, 380 Sus Dr.
Tickets: $30 at the aperture or $27 advance, accessible at ottawabaroque.ca or by buzz at 613-400-1511
Every already in a while, the Ottawa Bizarre Consort revs up a affairs of aeon music with a attempt of drama.
Their abutting appearance takes the assuming a footfall further, with Ottawa actor/comedian David Brennan cogent belief aggressive by Beautiful Monsters, an exhibition of prints and assets at the National Gallery of Canada, as the orchestra performs music from the era and monster images are projected on a screen.
The accessible concert is not alone the aboriginal time the Ottawa Bizarre Consort has added a visual-art aspect to one of its multi-disciplinary concerts, but is additionally a attenuate archetype of the National Gallery hosting a accompaniment concert angry to one of its exhibitions.
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The abstraction to add a affected aspect to centuries-old classical music was dreamed up by Jacinthe Hudon, a assistant who happens to be affiliated to one of the Consort’s founding members, cellist Olivier Henchiri, who’s additionally the aesthetic administrator of the able ensemble. She sat through her fair allotment of bizarre concerts afore it occurred to her that accepting article abroad on date ability accumulate her apperception from wandering.
“Everybody knows at classical music concerts, you go, you sit, you applaud, you leave. I could do about 15 account of that afore the music melded together,” Hudon said. “Having article new and agitative to focus on keeps you ashore to the story. We don’t accept the appropriate furnishings of movies but we can grab altered art forms to activate your senses so that you don’t abatement aback into the boring, automatic, acquiescent alert experience.”
She was additionally blessed to accept an aperture for her crafting skills, sewing, for example, music-stand covers out of vibrantly coloured fabric.
Her beginning perspective, not to acknowledgment a alertness to jump into any non-musical aspect of the behind-the-scenes work, has helped the Consort advance a committed afterward for its affected programs, and Hudon is now advised the administrator of these shows.
Of course, the music has to be top-notch, too. Founded 15 years ago as a alcove quartet, the Consort has developed into a baby orchestra of 15 to 20 musicians, all assuming on aeon instruments. What’s remained connected is Henchiri’s affection for aboriginal music performed with actual authenticity.
“What appeals to me is the affluence of the history, and the abode music had at the time of the Bizarre era,” said the 41-year-old musician. “There’s so abundant added to ascertain in the music than we can acquaint aloof by alert to it. Bizarre music had a lot to do with storytelling, anecdotic things that happened, whether it’s accustomed abnormality like the acclimate or the sea, or the affections that appear out back you apperceive how to apprehend the manuscript.”
Henchiri has been arena the cello back the age of nine, back he switched from viola for the simple acumen that he anticipation it would be added adequate to sit bottomward while arena an instrument.
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He went on to abstraction at the Conservatory of Music in Gatineau and Toronto’s Tafelmusik Bizarre Summer Institute, specializing in aeon performance. Consort musicians charge additionally be adequate with the bizarre technique, which involves application gut strings, a cone-shaped bow and accepting able training in the style.
With a harpsichordist in the lineup, the consistent complete is softer than a abounding orchestra, bigger ill-fitted to added affectionate venues. In fact, the gallery’s 400-seat amphitheater will be the ensemble’s better date to date. Their accepted concert home is Glebe-St. James United Church.
Brennan was brought into the artistic bend afterwards the Consort aggregation saw him accomplish at a storytelling event. “I heard monsters and I said, ‘I’m in,’” Brennan quipped, acquainted that he already apes a anachronistic and a praying mantis in his ball act.
“In 10 minutes, we knew this guy was a absolute fit for this,” says Henchiri. “He had some affecting $.25 in his story, and he was concrete with his storytelling. His anatomy is engaged, which is what we appetite in a appearance about monsters, and he additionally has a lot of humour, which we absolutely like to accommodate in our storytelling. It will accomplish you laugh.”
The belief are anon aggressive by the absurd beasts portrayed in the gallery’s exhibition, Beautiful Monsters in Aboriginal European Prints and Assets (1450-1700). Demons, sea monsters and added anxiously rendered creatures reflect the fears of the time, generally alveolate the beasts that abide Greco-Roman myths.
The aggregation chose about bisected a dozen monsters, including Neptune and Medusa, to brilliant in the stories. The aboriginal artworks are absolutely baby so they blew them up, creating a affecting accomplishments for the appearance and acceptance the admirers to see the absurd detail of anniversary alarming creature.
Picking the music to go with the belief is one of Henchiri’s appropriate skills. He has a absolute ability of the bizarre era, which started about 1600 and lasted until the afterlife of Bach in 1750.
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“It’s like bond wine with food,” Henchiri says. “Sometimes I alpha with the wine, sometimes I alpha with the food. Sometimes I acquisition a allotment of music that’s so active and so acceptable that it can alpha the chance or end the chance so we ability it so it leads to that agreeable emotion. Or sometimes we address the chance first.”
Ultimately, the mission is to get added people, including the abutting generation, absorbed in the bizarre era. If it’s engaging, they will come.
“My ambition is for you to get absent and appear out of it activity like you had this amazing adventure, aloof like you did back you were a kid and your parents would apprehend to you,” says Hudon. “That’s absolutely the aftereffect we’re aggravating to get.”
The Beautiful Monsters exhibition runs until March 29.
Best bets, Jan. 23 to 29: Pauly D is advancing to O-Town
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