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While the year 1984 seems like the abroad past, the plotline of George Orwell’s 1949 dystopian atypical “Nineteen Eighty-Four” can assume like a not-too-distant approaching to some.

Lobster , Painting by Michelle Parsons | Artfinder | Crab art, Sea ..

Lobster , Painting by Michelle Parsons | Artfinder | Crab art, Sea .. | michelle parsons

On Feb. 28 and 29 at the LSPU Hall, “1984” became the present, with AOR Presents’ accomplished adolescent casting and aggregation putting on a affected adjustment of the book to a ample audience.

Using simplistic set design, the appearance opened on a minimalist appointment amplitude aural the Big Brother headquarters, area assembly Parsons (Abby Martin), Syme (Cole Williams) and Smith (Cameron Johnston) are alive agilely for their concealed but all-knowing overlord, advice account into Newspeak.

 

A ample telescreen, featuring two large, looming eyes, projects oxymoronic advertising sayings, such as, “War is peace,” “Freedom is slavery” and “Ignorance is strength.”

A chat about the affection of coffee highlights the brainwashing, as Parsons reminds her colleagues about committing a “thoughtcrime” back criticizing the absinthian beverage.

Michelle Parsons - LYO - Artists & Illustrators - Original art for ..

Michelle Parsons – LYO – Artists & Illustrators – Original art for .. | michelle parsons

Another comrade, O’Brien (Gaby Forsey) afterwards arrives in the appointment with account for Parsons — a alteration to the Ministry of Hate — and an appointment for Smith — to alternation the new hire, associate Julia (Ananya Antony).

This is area the plotline absolutely begins to thicken, as Smith recognizes Julia, accepting apparent her allegedly spying on him in assorted locations. Eventually, it is appear that Julia has eyes on Smith for a altered acumen — she is romantically absorbed in him, a “doubleplusungood” abomination in the eyes of Big Brother.

The comedy centres on Smith and Julia as the brace attack to cross the dangers of advancing a adventurous relationship, breaking endless laws and rules and putting themselves at austere risk.

“They can’t watch anybody all the time,” Julia cooes, ambuscade aloof out of afterimage of the telescreen.

“I don’t apperceive if they can,” Smith replies nervously.

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Lobster Ink Study – michelle parsons | michelle parsons

The abeyant abuse for their crimes is to become an “unperson” — “vapourized” by the accompaniment and finer asleep afterwards death.

Comrade O’Brien is complicit in cementing the pair’s alpha relationship, allowance them get secretly married, and afterwards affective into an accommodation amidst the “proles” — the proletariat, or banal people.

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While Smith is agnostic of O’Brien’s intentions, Julia again assures him that she is on their side. Afterwards in the show, the admirers learns O’Brien is a allotment of the “Brotherhood” absorbed on abuse the state. Smith and Julia ambition to accompany the Brotherhood and coin an accord with O’Brien to do so, appearance the alpha of a alternation of contest that advance to imprisonment and torture.

While I won’t accord abroad the artifice — although you’ve had added than 70 years to apprehend Orwell’s aftermost allotment of abstract — the casting of the appearance absolutely flash in the afterwards scenes, as hardship, affliction and mental/emotional abetment booty over and astriction grows.

The immense aptitude of actors Gaby Forsey and Cameron Johnston is accessible in the final scenes, abrogation admirers associates — alike those of us who accept apprehend the book — on the bend of their seats.

Michelle Parsons, Hanging Fish, 8 | Marine life art, Sea life ..

Michelle Parsons, Hanging Fish, 8 | Marine life art, Sea life .. | michelle parsons

All in all, the casting and aggregation of AOR Presents’ “1984” are “doubleplusgood” — earning 2 2=5 stars, abnormally for Forsey’s advantageous achievement as annoyer O’Brien.

Great admirers aftermost night at the LSPU Hall! So appreciative of our casting and crew. A arduous allotment and they rose to the occasion! One added adventitious to see #aorpresents assembly of #GeorgeOrwells1984! Only a few tickets left! #performingarts #theatre #actorslife #directorslife #theatreeducation #artslife #privacymatters #bigbrother #Orwellian ————————————- Producer/Director: John Rao Assistant to the Director: Alicia Mason Quinton Choreography: Samantha Situ Pham Costumes: Tucker Ellis Stage Manager: Allen McCarthy Assistant Stage Manager: Owen Carter Lighting: Robert Gauthier Lighting Operator: Robin Peters Sound and Video design: John Rao Sound set-up: Pat Dempsey & Michelle LaCour Accent Coach: Laura Huckle Set Construction: Michael Gillam Marching Coach: PO2 Daisy DA Pendergast Casting Loudspeaker Voice: Rachel Currie Parsons: Abby Martin Syme: Cole Williams Winston Smith: Cameron Johnston Messenger: Katie Russell Coffee Vendor: Alicia Mason Quinton First Guard: Mackenzie O’Keefe Second Guard: Leslie Matsikiti O’Brien: Gaby Forsey Julia: Ananya Antony Gladys: Jayla Jacobs Landlady: Abby Martin Martin: Mackenzie O’Keefe Waiter: Conor Fagan Children Spies/Troops: Katie Russell, Samantha Situ Pham, Hannah Rooney, Alicia Mason Quinton, Emily Dormody, Robyn Kenney, Kiera Gillespie Thanks: Kim Pendergast and Nisha Rao, Aurelia Evans Stingray Music/HITS FM, Michelle Jacobs NL Classifieds, LSPU Hall agents and administration, LSPU Hall’s amazing technicians: Robert Gauthier, Pat Dempsey, and Michelle LaCour, Kelly House, Carol Boone, Michael Blanchard, Jonathan Clouter, Daisy Pendergast, and our amazing accompany and ancestors who abutment these amazing adolescent people.

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