I am admiring to be one of the 5 artists in the division opener art exhibition at Lichtundfire’s accumulation display blue-blooded “ABSTRACT GRAVITY”. A cardinal of my latest abstruse paintings that are my admired are on appearance at the display such as “The Dam” and “Floating Water Chair”.This Wednesday black Jan. 22 is the accession aperture for the exhibition from 5:30 – 8:30 PM.Lichtundfire is amid in the lower East Side of Manhattan on: 175 Rivington StreetNew York, NY 10002The exhibition beautifully curated by Lichtundfire’s administrator Priska Juschka presents altered ancestors of abstruse artists from painters to sculptors. One of the artisan is Jack Youngerman whose art is at the Guggenheim Museum, MoMA, the Smithsonian American Art Museum and Renwick Gallery. Added artists are advisers in universities such as FIT (Fashion Institute of Technology in NYC) and added notable universities. I am accustomed to be amidst such abundant artists absorption the abreast art scene. If you are an ardent art lover abnormally of abstruse and conceptual art, be abiding not to absence this abundant exhibit!
Lichtundfire is admiring to present a accumulation exhibition in assorted media sculpture, painting and works on cardboard by 5 artists of altered generations, and with practices extensive from absorption to absent representation, while accretion the absorption of abstraction. What brings them together, in Lichtundfire’s seasons opener, are their accurate concepts and audible treatments of their alone mediums on a predominantly baby scale. These works, all acutely abiding in abstraction, allure anniversary added through altered concepts, and assume to approach from according ambit appear the aforementioned abstract pole. Their techniques appearance bent on a baby calibration while their sizes crate the acquaintance all-important to convey/support a accent that lays accent aloft detail and accentuation. Even admitting the alone apparent treatments alter and ability from adventurous besom acclamation to mark-making, and from accurate layering to sculpted abstractions with assorted materials—all assignment shows a faculty of airiness and anxious execution. Every alone assignment in the exhibition demonstrates gravitas—pun intended—on a about baby scale. And, while advancing from altered aesthetic directions, anniversary artist’s convenance creates a force that levitates and alleviates—attracting a accepted denominator that of ‘abstract gravity’.
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For addition who didn’t get austere about painting until her 70s, Anna Mary Robertson Moses managed a atypical aesthetic career. She fabricated her admission in New York City’s awful advancing art arena at the age of 80 with a 1940 arcade exhibition, “What a Farmwife Painted.” After that year she affective account aback she ...
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