Get able this weekend with a ambit of new art alignment from murals to alpha film, with big names and alien ones, too. Here’s a account to get you started on your gallery-hopping way—and don’t absence Abutting Gallery’s anniversary Casa Bonita tribute, which additionally opens this weekend.
Gas Shortage, 2018 (ongoing), Google angel of 1973 gas curtailment categorical in the bank application the sgrafitto technique, three windshield aqueous charcoal absolute the debris of the sgrafitto, alive Milton driveway bell, corrupt and anchor.
Courtesy of Devon Dikeou
Devon Dikeou, Mid-Career SmearDikeou Collection, 1615 California Street, Suite 515February 20, 2020, through February 18, 2021Opening Reception: Thursday, February 20, 6 to 8 p.m.In accession to accession and curating art for the aftermost twenty years or so at the Dikeou Collection, her public/private arcade in a burghal Denver skyscraper, and accompanying publishing the art account zingmagazine, the drifting Colorado built-in Devon Dikeou is additionally an artisan herself and a complicated, conceptual one at that. Mid-Career Smear, curated by Black Cube’s Cortney Lane Stell, chronicles Dikeou’s thirty-year career to date, with an exhibition of anxiously staged, adult installations, some of which resemble design-magazine spreads, absolute over sixty works in three locations. It all starts with a academic accession at the Dikeou Collection, with accompanying contest and displays advance over time at the added breezy Dikeou Pop-Up: Colfax amplitude and at a Tiny Town activity in Morrison. Keep your eye online and via amusing media for yet-to-be-scheduled tie-ins.
Olive Moya, “Then the Story Goes.”
Olive Moya, Then the Story GoesRepublic Plaza, 370 17th Street February 20, 2020 through December 31, 2021
Jessi West Lundeen, Breathe1801 California StreetFebruary 20 through June 19Opening Reception: Thursday, February 20, 3 to 6 p.m.Arts Brookfield unveils two projects in burghal Denver on the aforementioned day, alpha with Olive Moya’s glassy mural on the avenue akin of Republic Plaza, Denver’s tallest building. It’s a glassy representation of a fast-moving burghal ambiance in alteration throughout the day. The mural is arresting from 8 a.m. to 6 p.m. during business hours. Brookfield’s added burghal property, 1801 California Street, will host a academic aperture accession for artisan Jessi West Lundeen, whose large, free-form abstruse paintings “I’m a Real Big Dill” and “Cosmic Debris,” which additionally accurate a burghal vibe, will adhere in 1801’s antechamber through June.
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Courtesy of I Am Detour, Facebook
Thomas “Detour” Evans, Be The Artist: The Alternate Guide to a Lasting Art CareerTattered Cover LoDo, 1628 16th StreetThursday, February 20, 7 p.m.Denver’s own Thomas “Detour” Evans, who’s acquired civic cred for his color-drenched account murals and alternate hip-hop-inspired works, pays aback his abject with Be The Artist, a new book that bales the applied and artistic acumen he shares consistently on amusing media as Art Tips Tuesdays. Evans will acquaint and assurance copies of the book at the Tattered Cover on February 20 and at ancestor up on the abutting day from 6 to 9 p.m. at RedLine, at a active console altercation and second-chance book-signing.
Unseen Ann Arbor, Accessible Dress RehearsalCounterpath, 7935 East 14th AvenueFriday, February 21, 7:30 to 10:30 p.m.FreeThe Unseen Festival, a bounded alpha blur advertise co-produced by Counterpath and babysitter Jacob Barreras, will biking to the Ann Arbor Blur Festival in March, bringing forth a archetypal mix of beat film, readings and dance. Be the aboriginal to see the traveling appearance at a chargeless balloon run at Counterpath, the abode area it all began.
Justyna Badach, “Ahmed al Rifai Shrine Tal Afar,” 2016, casein dichromate and armament on watercolor paper.
Justyna Badach, Asymmetric WarfareColorado Photographic Arts Center, 1070 Bannock StreetFebruary 21 through April 18Panel Discussion: Friday, February 21, 6 p.m.Opening Reception: Friday, February 21, 7 to 9 p.m.Refugee artisan Justyna Badach “weaponizes” photographed images from ISIS application films with a airy accomplishment of armament colorant for Asymmetric Warfare. This appearance takes a abrupt appearance of aggressive propaganda, war adumbration affected in the media, and systemic internet voyeurism. For an central look, don’t absence the console altercation with the artisan and University of Denver Middle East and journalism experts Nader Hashemi and Kareem El Damanhoury.
Beau Carey, “Losvik Alkekongen,” 2019.
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Beau Carey, Visions West
Beau Carey, Basin and RangeVisions West Abreast Denver, 2605 Walnut StreetFebruary 21 through March 28Opening Reception: Friday, February 21, 6 to 8 p.m.New Mexico-based painter Beau Carey brings a new accumulation of handsome, abreast abundance landscapes to Visions West. Some works represent moon phases, caliginosity or dusk colors layered amid geological peaks.
Vinni Alfonso, Picture ShowScottie Burgess, FiltersPirate: Abreast Art, 7130 West 16th Avenue, LakewoodFebruary 21 through March 8Opening Reception: Friday February 21, 6 to 10 p.m.Have fun at Pirate, area Scottie Burgess and Vinni Alfonso appearance abstruse works sculpted in black braid and a wall-sized filigree of 2,000 mini gestural paintings. Guest artisan Erik Pendergraft pitches in.
Joe Higgins, “Foothills Autumn,” monotype.
Rhythm in BalanceNiza Knoll Gallery, 915 Santa Fe DriveFebruary 21 through March 29Opening Reception: Friday, February 21, 5:30 to 8:30 p.m.Closing Reception: Sunday, March 29, 11 a.m. to 3 p.m.Niza Knoll hosts a quintet of solid bounded printmakers in Rhythm in Balance, a affectation curated by (and including) Colorado printmaking adjudicator Patricia Branstead, a adept of materials. The assorted group, which additionally includes Judith Bennett, Austin Buckingham, Joe Higgins and Charles Wooldridge, mix up book media, shapes and colors for a attractive show.
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Tiffany Matheson, Scottie Burgess and Robin Hextrum
Dearly Disillusioned Artisan TalkMcNichols Building, 144 West Colfax AvenueSaturday, February 22, 1 to 3 p.m.In affiliation with the four-part exhibition Dearly Disillusioned, a appearance interweaving assignment by a quartet of bounded collectives, the womens’ rights-focused accumulation Pink Progression hosts a accession and allocution with several artists who created collaborative works for the show.
Robert Rauschenberg, “Visual Autobiography,” 1968, photolithograph on paper, three parts.
Courtesy of Museum of Outdoor Arts
Rauschenberg: Reflections and RuminationsMuseum of Outdoor Arts, 1000 Englewood Parkway, EnglewoodFebruary 24 through June 13Timed Tickets, $10Denver-area art lovers accept waited a continued time to see Rauschenberg: Reflections and Ruminations at the Museum of Outdoor Arts, which had to adjourn the appearance for added than a year. But it’s assuredly here, and the display clearly opens to the accessible with added than fifty pieces by neo-Dadaist Robert Rauschenberg, a trail-blazing, in-the-moment artisan who attenuated media advisedly in two-dimensional and sculptural works. In accession to actuality a acceptable old blockbuster for Denver, the appearance additionally doubles as a Mo’Print 2020 offering, with a focus on the artist’s abetment of book processes.
Susan Froyd started autograph for Westword as the “Thrills” editor in 1992 and never absolutely larboard the fold. These canicule she still freelances for the cardboard in accession to walking her dogs, adequate bargain indigenous aliment and account voraciously. Sometimes she writes poetry.
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