It’s not accessible to allocate the assorted anatomy of assignment (and work-in-progress) larboard by built-in Houstonian Carroll Parrott Blue back she died Dec. 12. Blue was an award-winning filmmaker, columnist and alternate multimedia producer. Although she acclimated a array of media and genres to acquaint her stories, one affair was anytime present: anniversary the lives and contributions of African Americans and bringing absolute change to their communities.
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Houston has a all-around acceptability for the affection of its art museums, both the architecutre and collections of art from about the apple accumulated with oil and gas wealth. What abounding Houstonians may not apprehend is that Houston artists accept fatigued all-embracing acclamation as well, but not so abundant for a painting style. Rather, Houston is accepted for art that seeks to engage, boost or alleviate communities — a movement generally labeled “social practice” and synonomous with Activity Row Houses. Unfortunately, we tend to discount artists and women of blush in particlar, such as Blue, who embodied this socially affianced way of alive for decades.
Born in 1943, Blue grew up in Third Ward during segregation. Her seminal work, “The Dawn at My Back: Memoir of a Black Texas Upbringing,” is an alternate multimedia activity (book, DVD and website). In it, Blue tells her own adventure of growing up in a racist society, anecdotic the circadian injustices she and her association accomplished and the connected affliction it caused. “The Dawn at mMy Back” won the 2004 Sundance Online Film Festival Jury Award and spawned the Dawn Project, a bounded nonprofit organization.
Blue accustomed a Bachelor of Arts amount in English abstract from Boston University in 1964 and a Master of Fine Arts in motion account assembly from UCLA in 1980. Between 1984 and 1985, she was a ambassador adolescent at the American Film Institute. During her years in Southern California, she was a affiliate of the L.A. Rebellion (1967-1989), a accumulation of filmmakers who formed adjoin Hollywood’s abrogating assuming of African Americans. The aim of the accumulation was to casting bodies of blush in arch roles as astute characters in their films.
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Blue was assistant emerita at San Diego State University (1980 to 2005). In 2006, she became a analysis assistant at the University of Houston’s College of Liberal Arts and Social Sciences. She served as a visiting academic at the Harvard Graduate School of Design in 2011-2012. Beginning in 2016 until the time of her death, she captivated a cardinal of visiting academic positions at Rice University alive primarily in Rice’s Humanities Analysis Center and the Fondren Library.
One of Blue’s better and best arresting projects during the accomplished several years was the Southeast Houston Arts Initiative, which accustomed allotment from the National Endowment for the Arts. Blue and activity co-organizers, Steve Spillette and Gwen Fedrick, marshaled the absorption and abutment of abundant stakeholders to plan and advance a above awakening of Southeast Houston. The Southeast Houston Transformation Alliance (SEHTA), a bounded nonprofit, was formed to abide that work.
In December 2017, a few months afterwards Hurricane Harvey, Blue collaborated with the Esri Adventure Maps Team, the Houston Chronicle, the Dawn Project, UH Bauer College of Business, Rice University’s Fondren Library and Executive Service Corps of Houston to analysis and aftermath a post-Hurricane Harvey “story map” that presented belief aggregate by Chronicle staffers from bodies beyond the Houston breadth who were accomplished by the storm.
“Everybody abounding — the rich, the poor, the in-between, the immigrants, no one was spared,” Blue said at the time of the project. “Houston has now become a altered affectionate of a city, and that’s one acumen why this activity is important.”
At the time of her death, Blue was agilely affianced in planning a new activity accompanying to yet addition of her interests, the admittance of all-around art, decidedly from the developing world, in the boilerplate art world. She had hoped to coact with the Houston Museum of Fine Arts on a activity accompanying to the commencement of a commissioned allotment by the Ghanaian artisan El Anatsui, a longtime acquaintance of chastening and the accountable of a documentary she had produced some 30 years ago that helped barrage his career.
A few canicule afterwards Blue’s death, Rice University tweeted out the afterward message: “We were afflicted to apprehend of the casual of Carroll Parrott Blue, who adherent so abundant of her aptitude and herself to attention Houston’s celebrated African American communities and their stories. Carroll was a connected attendance on campus and will be missed.” The cheep sums up the animosity of Blue’s abounding friends, ancestors and colleagues.
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A anniversary of Blue’s activity will be captivated Jan. 17 from 11 a.m. to 1 p.m. in the University Museum at Texas Southern University.
Geyer is a biographer based in Houston.
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