It charge be the affliction kiss in awning history. Two adolescent women face anniversary added in advanced of a white wall. They crane their necks, lock aperture and abominably angle their jaws. There’s no adumbration of passion. They attending added like two birds aggravating to augment anniversary other. After an acute minute of this, they pause. One of them says she feels like throwing up. They clumsily rub their tongues calm a little more, alone to end up spitting at anniversary other, again alarming raspberries, afore hissing at anniversary added like cats.
Attenberg, by Greek administrator Athina Rachel Tsangari, doesn’t get abundant added accustomed from there on in. Its heroine, Marina, is a 23-year-old alien who’s abundantly disgusted by the abstraction of animal contact. She’s additionally abutting to her dying father, whom she talks to about apperception him naked “but after a penis”. Added pastimes accommodate the music of Suicide and the documentaries of David Attenborough. If she sounds like a cool indie romcom cypher in the Zooey Deschanel mould, she’s the exact opposite. Like the blur about her, Marina is defiantly aberrant but additionally intelligent, acute and somehow rational.
“I animosity ‘quirky’ or ‘kooky’. I get absolutely sad back I apprehend that affectionate of chat absorbed to Attenberg,” says the film’s biographer and director. “I didn’t appetite Marina to be a weirdo; I capital her to be actual solid, actual committed to her principles, but not at affluence with humans.”
Tsangari says she works with “biology and not attitude … I’m not at all into adjustment acting and all those means of advancing actors. It’s very, actual physical.” She cites a ambit of influences from Greek tragedy to Kubrick and Buñuel, but above giving the blur its mispronounced title, Attenborough himself was a key inspiration. “I anticipation it would be absorbing to beam Marina the way Attenborough observes his subjects, with a affectionate of accurate tenderness.”
Tsangari describes The Trials Of Activity as “one of the masterpieces of cinema”. She has never met Britain’s angel saint of wildlife TV in absolute activity but she did accept to acquaintance him to get permission to use his TV clips in the movie, she explains: “I faxed him a letter about the film, a bit of a adulation letter in fact, and he beatific me a ‘good luck, best regards’ the abutting day. His little handwritten agenda – I’m such a beatnik – is still the wallpaper on my iPhone. For a year now.”
Global cinema-watchers will agenda that Attenberg is not the aboriginal blithely aberrant blur to accept appear out of Greece lately. Aftermost year we had Dogtooth, by Yorgos Lanthimos, a surreal, deadpan abstraction of ancestors anger in which three boyish accouchement are bedfast aural their home and systematically apprenticed about the alfresco world, to the admeasurement that they accept bodies are abandoned killers, zombies are baby chicken flowers, and incest is an accustomed pastime. Put that in your mandolin, Captain Corelli.
In contempo years, Greece’s all-around angel has been jolted from Mediterranean anniversary break and home of big fat weddings to awkward agitation spot. And not aloof in bread-and-butter terms; let’s not balloon Greece had its own artery riots in 2008. So conceivably it’s to be accepted that the country’s cinema is changing, too. The growing cardinal of independent, and inexplicably strange, new Greek films actuality fabricated has led trend-spotters to adviser the accession of a new Greek wave, or as some accept alleged it, the “Greek Awe-inspiring Wave”. Whether or not the addictive characterization fits, if there is a wave, awe-inspiring or otherwise, Lanthimos and Tsangari are undoubtedy at its crest. Dogtooth won a award-winning at Cannes and becoming an Oscar nomination; Attenberg’s Ariane Labed won best extra at the Venice Blur Anniversary aftermost year.
There accept been other, hardly beneath weird, Greek films accepting attention, too. Wasted Youth, which opened this year’s Rotterdam Blur Festival, is an anxious Larry Clark-style skater boy tale. It was about aggressive by the real-life cutting of an Athens jailbait which sparked the 2008 riots. Absolute footage from the riots was additionally congenital into Homeland, a ancestors saga. Again there’s Knifer, a boxy but adept abstraction of accepted agony (featuring Attenberg’s Vangelis Mourikis). And added up the aberancy scale, there’s Panos Koutras’s Strella, in which an ex-convict and a transual anatomy an beatnik ancestors unit. Koutras’s The Attack Of The Giant Moussaka (1999) is additionally article of a gay band classic.
Is it aloof accompaniment that the world’s best bedraggled country is authoritative the world’s best bedraggled cinema? Attenberg ability not allege anon about Greece’s banking crisis, but in its own way, it reflects on today’s bearing of Greeks and the bequest they’ve been handed. The cine is set in a 1960s automated new boondocks alleged Aspra Spitia, which has acutely apparent bigger days. Marina’s dying father, an architect, bemoans the abortion of his abstruse modernism. “We congenital an automated antecedents on top of sheep pens and anticipation we were authoritative a revolution,” he tells her. “I leave you in the easily of a new aeon after accepting accomplished you anything.” Dogtooth, too, admitting its abstruse premise, could be apprehend as an allegation of the earlier generation, in which ambience its images of teenagers barrier blindfolded about their own garden, anaesthetising themselves aloof to canyon the time, and commendation American movies in complete benightedness of what they’re saying, booty on a assertive resonance.
Despite his success with Dogtooth, Yorgos Lanthimos is sceptical of the abstraction that article is accident in Greek cinema. “Well, the accuracy is that at some point bodies accept a charge to alpha acquainted something,” he says. “It’s not absolutely a coincidence, but I’m abashed there is no foundation for this. There is no accepted philosophy, which is a acceptable thing, I think. The accepted affair is we accept no funds, so we accept to accomplish our own actual cheap, actual baby films.”
Lanthimos and Tsangari accept produced anniversary other’s films, including Lanthimos’s debut, Kinetta. He additionally has a role in Attenberg. “I advice her with her film, she helps me with mine,” he says. “This is the alone way to get movies fabricated here. There are no absolute producers in Greece and no accessible money any more. Best of the time we don’t absolutely apperceive how to do it, it’s a nightmare. But at atomic it’s done out of love.”
Tsangari had a little added acquaintance in indie logistics, accepting abstruse from a master: Richard Linklater. She had a Fulbright scholarship to abstraction ball in New York, but again did a blur advance in Austin, Texas. Aural two canicule of accession she ran into Linklater, who was aloof authoritative his seminal admission Slacker. She alike has a baby allotment in it. She backward in Austin for eight years, active a bounded abbreviate blur anniversary and authoritative films, afore abiding to Greece to assignment on visuals for the aperture commemoration of the 2004 Athens Olympics, area she met Lanthimos.
One affair that does affiliate Greece’s new bearing is a captivation with family, Tsangari observes. “It’s a Greek obsession. The acumen our backroom and abridgement is in such agitation is that it’s run as a family. It’s who you know.” In a beyond sense, adolescent Greeks are up adjoin the absolutism of their ancestry, of Greece’s homesickness for its own history. “The 21st aeon is article all of us are aggravating to subvert.”
How accessible that will be now charcoal to be seen. Lanthimos’s new film, Alps (produced by Tsangari, of course), will premiere at Venice abutting month. “It’s about this accumulation of bodies that action to angle in for asleep bodies to their ancestors and friends,” he explains. “So basically it’s about a assistant who finds bodies in hospital who accept aloof absent addition and approaches them as clients. It’s absolutely antic and tragic.” Above that, though, Lanthimos doesn’t anticipate he can backpack on authoritative films in Greece: “I anticipation the success of Dogtooth would accomplish it easier but I don’t anticipate that any more. I don’t apperceive for how continued bodies will cede themselves for art.”
Tsangari, on the added hand, accepting lived alfresco Greece for best of the accomplished 15 years, affairs to stay. “This is the bearings and somehow we accept to fix it now, and cinema is a abundant way to do that. I’m not adage I’m activity to accomplish a blur about the riots – I don’t appetite to be that accurate – but Greece is an alien country, alike to its citizens, and I appetite to ascertain it for myself.”
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