For the aboriginal time aback aboriginal March, I went to a gallery. I absolved there and back, alienated bodies as abundant as possible. The exhibition I saw, by appointment, was Phillip Allen at Miles McEnery Arcade (May 21–July 11, 2020), his admission with this gallery. Allen has not apparent consistently in the United States — I aboriginal advised his assignment was back I saw his exhibition Phillip Allen: oxblood at Kerlin Arcade (June 7–July 20, 2013) in Dublin, Ireland. Yet I accept appear to anticipate of him as one of the best affably arduous painters around.
Done on copse panels that activity out from the bank to acknowledge the bank box on which the acrylic has been applied, Allen’s abundantly scaled works are actual belly and beheld delights. Anniversary painting is a aggregate of subtle, nuanced hues and globs of acrylic accumulated forth the four edges, like an adorned frame, encircling a asperous impasto interior. The body of the globs varies, so that anniversary painting is altered from the others, and requires beginning looking.
The claiming is absolute and simple: what are we attractive at? Is it a painting about the adherence of blush and materiality? What do we accomplish of the impasto surfaces that accommodate abstruse forms or patterns? Can we acclimatize ourselves to the altered means that Allen accumulates acrylic forth the edges, see the accord amid edges and interior, butt the alive hues and tones aural the painting, and annual for how anniversary painting is altered from the others? Alive in this belted manner, with an accent on achievement and color, Allen
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