Rachel Sailor, an accessory assistant in the University of Wyoming’s Department of Beheld and Literary Arts, will present the Sandeen Address in the Humanities Monday, Dec. 16.
Sailor will altercate “The Broad Movement: Pictorial Photography in the American West, 1900-1950.” Her allocution will booty abode at 4 p.m. in Room 506 of Coe Library. A accession will follow. The address and accession are chargeless and accessible to the public.
The Sandeen Address in the Humanities is called for Eric Sandeen, a above assistant and armchair of UW’s American Studies Program, and the founding administrator and administrator emeritus of the Wyoming Institute for Humanities Analysis (WIHR).
The address is co-sponsored by WIHR and the Wyoming Humanities Council.
Sailor will altercate her activity that investigates the broadly disregarded accurate appearance of pictorialism in the American West amid 1900 and 1950.
“I altercate that Western pictorialist photographs and photographers represent a regionalist actuation that is allotment and bindle of the beyond cultural accent of the era, and that has its roots in the appalling accurate ancestry of the 19th aeon American West,” Sailor says.
Driven by a abundance of textual and beheld primary sources, the activity addresses the West’s accord with the Eastern centers of art in the aboriginal century; the assortment of practitioners who fabricated up Western accurate art production, such as women, Japanese Americans and Native Americans; and the style’s final annihilation as it accompanying to the addition of Accumulation f.64, she says.
Group f.64 was a accumulation of photographers — including Ansel Adams and Edward Weston — who focused on the aciculate analogue of the unmanipulated accurate image.
Sailor becoming a B.A. from Oregon State University; an M.A. from the University of Oregon; and a Ph.D. from the University of Iowa. She teaches 19th, 20th and 21st aeon American and European art history courses, but her breadth of analysis is photography of the American West.
Her aboriginal book, “Meaningful Places: Landscape Photographers in the Nineteenth-Century American West,” won the 2016 Barbara Sudler Award from History Colorado. She is alive on a book arrangement apropos bounded accurate pictorialism in the American West.
For added advice about the lecture, email Scott Henkel, WIHR director, at [email protected]
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