“I see adorableness in a horse’s anatomy aback it’s galloping and running. That account agreement consistently attracts me to abstraction these subjects. It’s authentic balladry in motion aback it gallops,” discloses Malaysian painter Lim Ah Cheng. His adulation of horses is apparent as he describes their adroit movements. He states, “Without rhythm, it looks and feels beneath artistic. Fluidity and accent appearance the beauty, antithesis of the art and accord on canvas.”
Challenging Horses 2, alloyed media on paper, 40 x 28 cm, 2013
Movement is at the amount of Lim’s artworks, best represented in an abstruse style, as he captures a faculty of activity and motion in affecting fashion, while advertisement the horse’s beauty, dignity and mystique. His horses are never still; instead they barrage bottomward accessible plains at abounding acceleration in a appearance of authentic power, ability and adroitness – dizzying like the wind with a chargeless and absolute spirit. But Lim’s accomplishment lies in that actuality that he is able to portray not alone their concrete being, but their adherence and body within.
Flying with the Wind 8-07, oil on canvas, 122 x 122 cm
Never backbreaking of depicting horses, the majestic beasts accept been his affectionate accompaniment for over two decades, as he consistently uncovers new and hidden facets of their artful personalities that never abort to artifice him. Aggressive by nature’s beauty, he studies steeds on trips to the zoo or at horse benumbed clubs and competitions, watching them from the sidelines or capturing their movements on video for added examination. Having additionally adapted into painting musicians, dancers and artery scenes, he nonetheless keeps abiding time and afresh to his aboriginal love, as horses to him are the apotheosis of the adorableness of movement. “Energy and movement are what I consistently accurate through this beautiful, able and active animal,” he says.
The Kuala Lumpur-based artist’s affection for painting horses came about afterwards immersing in the abstraction of Chinese besom painting, alive and liberating in nature, at the Malaysia Institute of Art beneath the administration of Chong Chen Chuan, a adept calligrapher with abutting to bristles decades of acquaintance in Chinese ink painting. “His bold, semi-abstract achievement aggressive me,” reveals Lim. Thus, from the delineation of his actual aboriginal horse, he bankrupt with the acceptable appearance and accumulated an “Oriental character and Western average in harmony”.
Flying with the Wind 9-08, 91 x 91 cm
Adopting today an abstruse expressionist approach, he paints with activity and daring, starting with a attenuate band of acrylic on the canvas surface, afore boring layering oil on top. Then accelerated acclamation in oil, in the address of big, adventurous Chinese brushstrokes, are added to aback momentum, while accomplished curve are bidding with acute control. Lim states, “Horses run fast and appearance movement aloof like Chinese ink brushstrokes accurate speed. Therefore, I am aggravating to amalgamate these two identities in my artworks, chase my body and feeling, and able Chinese art foundation skills.”
Flying with the Wind 11-06, 122 x 122cm
Considering the axial role of horses in Chinese ability and belief and the congenital affiliation in China amid man and horse for six millennia, Lim says, “That long-held aerial admire for horses afflicted me to actualize every distinct painting.” At times he focuses his absorption on a distinct horse gliding in mid-air to accurate aware leadership; at added times he chooses to characterize a accumulation of horses active in the aforementioned administration to authenticate teamwork and aggressiveness – an unstoppable force as the eyewitness is larboard abaft in a blurred cyclone of movement.
Challenging Horses, alloyed media on paper, 30 x 40 cm, 2014
Having alternate in abandoned and accumulation shows and art fairs internationally, Lim’s artworks arise in clandestine and accessible collections worldwide. Collectors accommodate above Malaysian Prime Minister Abdullah Badawi and Mandarin Oriental Hotel. But not one to blow on his laurels, he is on a connected mission to advance himself, divulging, “To bear a different agreement with a abreast feel and connected beheading of abilities are consistently a claiming for me. I consistently attending aback at my art journey. Aback I feel that change is bare for my series, I will do some beginning works to advance the development until it alcove a acceptable level. Then alone will I aftermath works on canvas.” And appropriately Lim’s horses, an announcement of his centermost feelings, are in connected change in his amaranthine endeavor to always abduction their adorableness on canvas.
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