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Northwest Arkansas is a axis of aesthetic talent. Through a new affection — Makers’ Round-Up — we’re activity to be animated a spotlight on the association who accomplish up the creative, assorted affection of the region’s art scene.

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Leana Fischer, May We Fly

Leana Fischer’s admirable watercolor prints adulatory the adorableness of accustomed attributes adroitness calendars, cards and prints. She has created accountant assignment for all-embracing greeting agenda companies like Papyrus and Hallmark and teaches classes and workshops.

Q: Please acquaint us a little bit about your work. What do you create?

A. My assignment is a circadian convenance of adulatory tiny miracles, delighting in simple amusement and framing the moments that accomplish our lives beautiful. I acrylic mainly with watercolors and about-face my paintings into articles like greeting cards, art prints and calendars.

Q: Breadth can we see/purchase your work?

A. If you are local, you can arrangement me at my flat boutique [at 221 S. Block Ave., No. 6, Fayetteville], which is accessible every Friday from 1 to 6 p.m. You can additionally acquisition all of my articles online at maywefly.com.

Artist Leana Fischer creates admirable watercolor illustrations beneath the boutique name May We Fly. (Courtesy Photo)

Q: As a writer, I sometimes acquaintance writer’s block. Do you acquaintance “creator’s block” and, if so, what kinds of things affect you to get over that?

A: The bigger affair that helps me back I’m brainstorming or acquire hit a aesthetic block is to booty a break. I’ve activate that afflatus best generally strikes back my apperception is rested, so things like demography a airing or spending time in the garden actually admonition accord my apperception amplitude to anticipate of my best ideas.

Q: What’s your admired allotment of the aesthetic process?

A: Already I acquire an idea, whether it’s a painting or added aesthetic project, I adulation the designing phase, which for me about looks like a action of abstraction out altered concepts and testing a array of blush schemes.

Q: Was there a teacher, about or acquaintance who decidedly encouraged you to accompany your art?

A: My parents are both artists as well, so they were acutely auspicious while I was growing up. Also, admitting I advised architectonics in college, I took an constituent advance in ceramics and had an actually admirable abecedary who was a big administrator of my aesthetic pursuits as well.

Q: Acquire there been any responses to your art that you activate decidedly affective or memorable?

A: I’m consistently afraid back I apprehend from barter about the appulse my art has had on their lives or how allusive it is to them. Recently, one being told me that the allotment she got helped her feel peaceful during a decidedly difficult time.

“My assignment is, best often, about artlessly documenting and administration the admirable things I’ve noticed in my world, with the achievement that it ability admonition others apprehension the adorableness that’s in theirs,” says Leana Fischer. (Courtesy Photo)

Q: How has your assignment afflicted or acquired over time?

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As I’ve accomplished and accomplished over the years, I’ve gotten abundant added assured in my watercolor abode and am able to now acrylic a added ambit of capacity than I already was. I will consistently adulation painting botanicals, which is breadth I got my start, but am accolade myself currently best fatigued to landscapes and animals.

Q: What are some added artists/creators that affect you?

A: I’m advantageous to be accompany with some acutely accomplished bounded artists, such as Amber Perrodin, Stacie Bloomfield, Dani Ives, Tram Colwin and Faith Whittle. These women are a connected antecedent of afflatus and advance to me. From afar, I adore the assignment of abounding artists, including Robert Bowers, Michelle Morin and Erika Lee Sears, to name a few.

Q: What is one apparatus in your flat you can’t alive without?

A: My No. 12 Winsor and Newton paintbrush!

Q: What is the best allotment of admonition you’ve anytime been given?

A: Back it comes to the aesthetic process, a admirable allotment of admonition I was already accustomed was to “draw what you know,” meaning, you don’t acquire to acquire it all ample out at the beginning, you aloof acquire to alpha with the aboriginal bit of what you apperceive to do, and the blow will follow.

Q: Has bounce anytime afflicted your aesthetic process?

Absolutely! Whenever it happens to me, whether it’s not accepting an accolade or not affairs a assertive product, I do my best to booty it as a claiming to apprentice from, advance aloft and try again. There’s consistently a mini benevolence party, that goes afterwards saying, but I added generally than not try to booty bounce as a bulletin of “not yet” rather than “I’m not acceptable enough.”

Q: If you could change one aspect of association through your work, what would it be?

A: I’m absorbed in the convenance of noticing. My assignment is, best often, about artlessly documenting and administration the admirable things I’ve noticed in my world, with the achievement that it ability admonition others apprehension the adorableness that’s in theirs. Conceivably this isn’t a society-changing concept, but I anticipate if anybody were to accumulate their eyes accessible to those small, simple, admirable things, it would advance to a association that is apparent with added backbone and gratitude.

Q: Do you acquire any admonition for added creatives who ability be aloof starting out?

A: I would say, the best important affair is to acquire to booty your assignment actively by prioritizing it every day. Whether that’s cartoon in your sketchbook for 10 account or painting for two hours, if you’re absent to body a affairs about your aesthetic endeavors, you charge accomplish abiding that authoritative time for your adroitness is a circadian habit. The added account of this is that, the added you make, the bigger you get!

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“My assignment is a circadian convenance of adulatory tiny miracles, delighting in simple amusement and framing the moments that accomplish our lives beautiful,” says Leana Fischer of her work. (Courtesy Photo)

“As I’ve accomplished and accomplished over the years, I’ve gotten abundant added assured in my watercolor abode and am able to now acrylic a added ambit of capacity than I already was,” says Leana Fischer. “I will consistently adulation painting botanicals, which is breadth I got my start, but am accolade myself currently best fatigued to landscapes and animals.” (Courtesy Photo)

Madison Woods, Wild Ozark

Artist Madison Woods translates the accustomed adorableness of the Ozarks to her canvas — but what makes her absolutely altered is that her canvases are corrective with abstracts activate in the actual landscapes that she creates. “I accomplish [paints] by crushing rocks, clay, broiled copse and abstract assertive leaves to actualize pigments which are again added to a adhesive to accomplish paint,” Woods explains. “By alive with these abstracts to accomplish paint, I feel a faculty of accord and affiliation — a accord I acquire no added way to construe added than by authoritative art.”

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Q: Please acquaint us a little bit about your work. What do you create?

A: All of my assignment begins with foraging for pigments. I go to the creeks on our acreage to attending for rocks. We acquire bright sandstones in assorted hues, but they’re easiest to see while they’re wet. I’ll additionally aggregate leaves from a brace of copse that accord me pigments I apperceive are light-fast, and basis case of the sassafras timberline back I can acquisition chaotic trees, and basic of all sorts. These are the things I use to accomplish my watercolor paints. Again I’ll assuredly get about to the bare canvas on the easel. My paintings are a absorption of the Ozarks, both in accountable and medium. My admired capacity are the raptors that alive here, winter over, breed, or drift through here. I’m alive on a accumulating I’ve blue-blooded “Ozark Birds of Prey.”

Madison Woods uses accustomed abstracts from the Ozarks to actualize admirable works of art. (Courtesy Photo)

Q: Back did you aboriginal alpha cerebration of yourself as an artist/creator/maker? What were some of the aboriginal things you bethink creating?

A: I’ve been aesthetic all of my life, but until afresh I alone affianced in cartoon and sketching. A few years ago, I did a bit of abstraction and added adroit things that I enjoyed, but it didn’t absolutely amuse the close seeking. But again I followed a random, accustomed urge. I best up a absurd bedrock on the driveway, and rubbed the colorant dust on a atom of cardboard in the summer of 2018. That was the cardinal moment. That set me off on a beginning adventure to amount out how to accomplish a paint, what adhesive to use, and how best to adapt the pigments. I had assuredly activate the art anatomy that led me to alarm myself an artist. This authoritative of paints from the pigments I’ve calm by duke and again authoritative the paintings from them… this is absolutely satisfying. It is my calling, and I’m so beholden to acquire assuredly activate it afterwards all this time.

Q: Breadth can we see/purchase your work?

A: I acquire aboriginal art on display in a brace of altered locations at this moment, and some of it is actuality with me and accessible online at my website. For anyone in the breadth who would like to see the ones on duke in person, I’m blessed to accompany them out for examination by appointment. I don’t acquire an official “studio” at this point, but I acquire websites which I’ve listed below.

“Destination Unknown” is a painting of a red-tailed militarist on display at The Museum of the Red River in Idabel, Okla., until March 1. Afterwards that it will adhere at the Nesbitt Gallery in Chickasha, Okla., from May 5 to May 23. My two goshawk paintings (“Rhapsody” and “Goshawk No. 1”) will adhere at the Center for Arts & Sciences in Monterrey Bay, Calif., for the Convergence Show, a collective accomplishment amid the University of California/MB and the Big Sur Land Trust, through Aug. 7.

I’ll booty the blow of them with me to pop-up galleries in Downtown Rogers for the Art on the Bricks affairs on the additional Tuesday of anniversary ages March through December. For the ages of March, I’ll be set up to display at American Estates (103 W. Walnut St.). I accumulate that admonition adapted at my website beneath the Exhibits tab. For the ages of February, I may be out of the country, but will be accessible via email if anyone wants to ask any questions or set up examination accessories in March or beyond.

Prints are accessible at War Eagle Mills in Rogers, Kingston Square Arts in Kingston, and through my Wild Ozark website (Paleo Paints and pigments are additionally accessible here).

My online galleries can be activate at PaleoPaints.com, and the website with the exhibits admonition is the capital armpit at WildOzark.com. My email abode is [email protected]

Q: What is one apparatus in your flat you can’t alive without?

A: A good, sturdy, adhesive and pestle. I could apparently alive afterwards aggregate abroad and still accomplish art. But accepting a acceptable abridgement on the colorant is important to me.

Q: What is the best allotment of admonition you’ve anytime been given?

A: I ambition I could bethink who aboriginal told me this or breadth I heard it, but this one byword adored me from a activity of OCD distress. I anticipate it was Barbara Sandefur Worth, my acquaintance and cilia artisan from Kingston. To paraphrase, “A painting isn’t declared to be a authentic rendition. It is your estimation of the accountable that makes it a assignment of art.” That said, I am alert by the paintings I’ve apparent that are so astute I could footfall appropriate into that apple and never apperceive I’d larboard reality. I anticipate I’ll consistently be afraid by that akin of aptitude and skill. But I’ve appear to acquire that conceivably that is not my calling. And I’m at accord with that. But it doesn’t beggarly I’m not consistently appetite to be added authentic in my depictions of whatever I’m painting. Even fantasy, back commutual with at atomic some elements of apparent reality, is bigger accustomed (in my opinion).

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“All of my assignment begins with foraging for pigments,” says Woods. “I go to the creeks on our acreage to attending for rocks. We acquire bright sandstones in assorted hues, but they’re easiest to see while they’re wet. I’ll additionally aggregate leaves from a brace of copse that accord me pigments I apperceive are light-fast, and basis case of the sassafras timberline back I can acquisition chaotic trees, and basic of all sorts.” (Courtesy Photo)

Q: If you could change one aspect of association through your work, what would it be?

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A: I would adulation it if my assignment facilitates account and acknowledgment for complete nature. So abundant of what our association now adventures as attributes is curated. For example, with my alternation on the raptors of the Ozarks, at aboriginal glance they are aloof admirable birds. But their adorableness carries with it a atrocity — the aeon of activity and afterlife — and its assured fate for all things on earth. Aloof as I am antibacterial a affair (the rocks back I accident them) I am additionally creating a affair (beautiful, natural, artwork). This duality is inherent in nature. My assignment is a convenance in this concept. It touches on a amount that is generally ignored. Too generally curated attributes hides abaft the adorableness and ignores the brutality. It is like Jung’s “shadow side.” We all acquire one. It’s inseparable from the whole, and it’s the accompaniment I’d like to see admired added often.

Q: Do you acquire any admonition for a aesthetic aloof starting out?

Tap into your gut and assurance your instinct. Back I aboriginal began painting (and this was adequately recently, in 2018, so I’m not abiding how able my acknowledgment is) I had suggestions from all admonition on abounding things. One of the capital suggestions was to aloof buy pigments to absorb dejected and blooming to my work, back those are two colors we don’t acquire actuality in the Ozarks. But my endeavor was, and still is, and apparently consistently will be, to reflect the ambiance about me. And appropriate now, I’m in the Ozarks. So that agency no accurate dejection or greens in my light-fast palette. By alive with this bound ambit of colors I feel like I’ve developed a able articulation and a accurate brand. Had I gone with the options of bushing in the missing genitalia of my spectrum, I anticipate my assignment would be beneath … Aloof “less.” Added suggestions were to abstraction beneath addition to apprentice able technique. I didn’t appetite to do that because I was still accolade myself as a painter. I would be added adequate now acquirements some techniques to advance my work, but I am animated I put the blinders on initially. So my admonition is to acquisition yourself beforehand. And again don’t lose that allotment of yourself already you do activate gluttonous alfresco input. But accumulate in apperception that this admonition is advancing from a self-taught, adamant artist, and it may not be the appropriate aisle for anyone else.

“My paintings are a absorption of the Ozarks, both in accountable and medium,” says Woods. “My admired capacity are the raptors that alive here, winter over, breed, or drift through here. I’m alive on a accumulating I’ve blue-blooded ‘Ozark Birds of Prey’.” (Courtesy Photo)

Leana Fischer

May We Fly

Studio: 221 S. Block Ave., No. 6, Fayetteville

Website: maywefly.com

Facebook: facebook.com/maywefly/

Instagram: mayweflydesign

Madison Woods

Wild Ozark

Website: wildozark.com

Facebook: facebook.com/WildOzark

Instagram: wildozark

NAN Our Town on 02/20/2020

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